“I have a vanity line of cannabis coming out. It’s called Hello It’s Weed.”—American rock ‘n’ roll singer-songwriter and producer Todd Rundgren quoted by Nick Paumgarten, “The Talk of the Town: Dept. of Song—Day Job, The New Yorker, Jan. 2 and 9, 2023
When I read this quote from Todd Rundgren, my
first reaction was to burst out laughing at the pun on his hit from half a
century ago, “Hello, It’s Me.” Then I wondered if he might be pulling Nick
Paumgarten’s leg.
It wouldn’t have been the first example of the rock
‘n’ roller’s bent sense of humor. After all, when he issued a quickly produced 1982 album to fulfill his last contractual obligation to longtime label Bearsville
Records, he had called it The Ever Popular Tortured Artist Effect, and
two years earlier, with his band Utopia, he had titled his parody/tribute LP in
the style of the Beatles Deface the Music. It wouldn’t be beyond him to
put people on again.
At the same time, the musician has, over the years,
made no bones about his extensive use of cannabis. Judging from the crowd at
his Central Park concerts in the Seventies, he would have had a ready-made
audience for his ventures in this direction.
Well, it turns out that his comments in The New
Yorker were true. Back in November, Rundgren announced his new cannabis
brand, Hello, It’s Weed, a partnership with Cheef, a cannabis and CBD
manufacturer based in Royal Oak, Mich.
I’m not surprised that Rundgren has tried this
venture, only that he hadn’t tried it sooner. In his music he has prided
himself on being innovative, experimenting with an “interactive album,” for
instance, 30 years ago, with No World Order.
On the other hand, cannabis—in case you hadn’t
heard—is a field where everyone’s getting into the act. Carving a niche is
going to be difficult, so it’s probably wise for Rundgren to keep expectations
low, as he indicated to Gary Graff of the Oakland Press late last
year:
“I'm not competing with anyone who's already kind of
built a little empire around it. We're doing it right now for fun and to see if
people respond. And if it does well we'll probably progress."
I suspect that many of Todd’s fans from his early
years have moved on with their lives, so the Evil Weed no longer has the
transgressive factor that once intrigued them. But I’m not sure it matters to
him, anyway, if it ever did. After all, not for nothing did he call one of his recent
live CDs The Individualist.
(The image accompanying this post, of Todd Rundgren at
Revolution Live in Fort Lauderdale, FL, was taken Mar. 25, 2009, by Carl
Lender.)
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