Tuesday, June 9, 2026

This Day in Baseball History (Ryne Duren Sets League Consecutive K’s Record)

June 9, 1961—With a new team and new pitching role, Ryne Duren—a right-handed hurler with a reputation for having as little control of himself as over his overpowering fastball—looked on the verge of turning over a new leaf, striking out an American League record seven consecutive Red Sox on his way to 11 in 6 2/3 innings, in the veteran’s first start in his major-league career.

An All-Star reliever with the New York Yankees, Duren had been traded the month before to the expansion Los Angeles Angels when his off-the-field behavior became increasingly erratic. His new manager, Bill Rigney, saw enough potential to convert him to a starter.

For a while, the experiment worked splendidly. Three weeks later, he earned some revenge against the Bronx Bombers, not only fanning a career-high 12 batters in eight innings on his way to a 5-3 victory but even uncharacteristically contributing to his own cause by singling in two runs.

But the emotional vulnerability afflicting Duren even when batters feared his fastball returned when he was at his zenith in 1961, while getting ready to play in his third All-Star game in four years. The news that his two-week old infant son Craig had died sent Duren on an alcoholic spree that ended his marriage and, four years and three teams later, his professional career.

In a way, Duren’s notoriously poor eyesight (his Yankee catcher, Yogi Berra, observed, “he had several pair of glasses, but it didn’t seem like he saw good in any of them”) was symbolic. 

An alcoholic in deep denial, he did not see how much his drinking was endangering his performance, his livelihood, his teammates, and his family for too long. Out of baseball after 1965, he was reduced to a series of dead-end jobs and living in a flophouse and made two suicide attempts.

Fortunately, the story of Ryne Duren doesn’t end there. After a 22-month treatment in DePaul Hospital in Milwaukee, he became sober, and from 1968 to his death at age 81 in 2011, served as an addiction counselor, advising not only youths about how to avoid or forsake alcohol and drugs but also many current and former major leaguers.

One, Yankee teammate Mickey Mantle, was in denial when Duren initially tried to coax him into recognizing his problem. But when the slugger finally embraced sobriety in 1994, his decision to publicly reveal his registration at the Betty Ford Clinic was influenced by his fellow ex-carouser’s public example.

“That guy [Duren] when he was playing ball, was a wreck and he whipped it,” he told friend Bill Hooten, according to Jane Leavy’s Mantle biography, The Last Boy. “He got around talking, and he does a lot of good. If I can go out there and come back and the fact that I’ve whipped the drinking can help somebody else, then sure, I want that known.”

Duren was one of a small but significant group of ex-ballplayers who, after recognizing their problem, went on to help others as substance abuse counselors, including, most prominently, Don Newcombe of the Brooklyn Dodgers, “Sudden Sam” McDowell of the Cleveland Indians, Dock Ellis of the Pittsburgh Pirates, and 1970s journeyman Michael Jackson. I am sure there are others who played different positions, but all of the people I just mentioned were pitchers.

I became interested in this subject for several reasons: a couple of friends who are substance abuse counselors, my long-time fascination with everything related to the New York Yankees, and my interest in baseball history.

In the case of the latter, I have thought often about another friend who, through his career, has become a mother lode of baseball history. He told me once that the incidence of alcoholism in America’s pastime was high. It was possible, he thought, that as many as one out of four Baseball Hall of Famers had drinking problems. 

One, “Big Ed Delahanty,” died from a fall into the Niagara River after a drunk-and-disorderly incident; other past members, such as Mantle, Babe Ruth, and Hack Wilson (whom I profiled in this 2010 post), are well known; and more recent ones have not been publicized, so to protect their privacy I will leave that to disclosures by themselves or their eventual biographers.

Quantifying substance abuse among past ballplayers is difficult, but my reading indicates that the problem was common. 

Any genetic susceptibility to alcohol was worsened by the environment of past decades: clubhouse drinking as a means of celebrating or even simply unwinding after games; late-night games followed by after-hours companionship; travel and isolation from family and friends on the part of young men who still feel invulnerable; and stressed-out managers in no condition to preach after leaving their own difficulties in the bar.

Today’s players struggling with addiction, though, benefit from changes in the game and society since Duren’s time in baseball:

*Alcoholics Anonymous has become a better known and recognized form of help;

*Awareness of fitness and nutrition includes substance abuse prevention and recovery, as well as liquid alternatives such as cherry juice, smoothies, and protein shakes;

*Baseball’s collective bargaining agreement has formalized the process of evaluation, treatment and recovery;

*High payrolls have increased the incentive for owners and general managers to become proactive about abuse, including some teams that have banned alcohol use in clubhouses and on planes;

*Social media decreases the likelihood that alcohol-fueled indiscretions will be hushed up and perpetuated;

*The stigma of admitting to substance abuse has lowered;

*Many players see marijuana as an acceptable alternative to alcohol.

Other Yankees had longer, more consequential careers than Duren, but even while playing—well before his great contributions to substance abuse awareness among athletes—he had impacted the game as a pitcher.

When he entered games, the slang used for his position was “fireman,” the relief pitcher designated to prevent or contain the damage from mound emergencies. Nowadays, with the use and responsibility of these hurlers refined and defined, they are called “closers.”

After being acquired from the Kansas City A’s midseason in 1957, Duren took over the fireman/closer niche that Joe Page had once occupied for the Yankees. He soon became a fan favorite, with his routine recounted vividly in Marty Appel’s Yankee history, Pinstripe Empire:

“…scaling the low right-field bullpen fence, glancing at the auxiliary scoreboard to check the situation, tossing the warm-up jacket to the waiting batboy, kicking the dirt off his spikes against the rubber, and then firing his first warm-up pitch into the backstop (to frighten the waiting hitter).”

Quote of the Day (Arnold J. Toynbee, on How Man Achieves Civilization)

"Man achieves civilization, not as a result of superior biological endowment or geographical environment, but as a response to a challenge in a situation of special difficulty which rouses him to make a hitherto unprecedented effort."—English historian Arnold J. Toynbee (1889-1975), A Study of History: Volume I: Abridgement of Volumes I-VI (1987)

Monday, June 8, 2026

Quote of the Day (Jason Roeder and Mike Sacks, With a ‘Realistic’ H.S. Yearbook Inscription)

“I'm the kid you'll see on CNN talking about changing the world and you'll think, Wait a minute, isn't that the same guy who threw up on his sneakers in Algebra II and then cried so hard his mother had to pick him up? That guy became successful?! —Ronnie.”— American humorists Jason Roeder and Mike Sacks, “Shouts and Murmurs: Realistic High-School-Yearbook Inscriptions,” The New Yorker, May 25, 2026

Sunday, June 7, 2026

Spiritual Quote of the Day (Reinhold Niebuhr, on ‘The Illusion of Strong Men and Nations’)

“It is the illusion of strong men and nations that power is the basis of security. There is some justification for the illusion, for, in so far as human society is governed by physical force, obvious strength, whether it be military or economic, may be counted upon not only to defeat the actual foe, but to reduce the potential foe to the impotence of fear. The strongest bully in a gang is rarely challenged to prove his prowess, and a nation which possesses obvious economic or military advantages may indulge in idiosyncrasies and commit errors which would prove fatal to less favored nations…..Power is dangerous both to those who wield it and to those who are affected by it. It gives those who wield it a false sense of security which absolves them of the necessity of thinking carefully upon the issues involved in their action.”— American Protestant theologian Reinhold Niebuhr (1892-1971), “Perils of American Power,” originally published in The Atlantic Monthly, January 1932, reprinted in The American Idea: The Best of “The Atlantic Monthly” (2007
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Niebuhr wrote this passage not long into the Age of Dictators that ensued in Europe after the bloodshed of World War I and the resulting socioeconomic collapse. The truth he propounded is emerging ever more strongly now, in another period when strongmen learn that the omnipotence of mortals, even those with seemingly absolute power, is an illusion.

Saturday, June 6, 2026

Song Lyric of the Day (Cat Stevens, on ‘The Old Schoolyard’)

“Remember the days of the old schoolyard
When we had imaginings
And we had all kinds of things.”— British singer-songwriter and musician Yusuf/Cat Stevens, “(Remember the Days of the) Old Schoolyard,” from his Izitso LP (1977)
 
In the Seventies, I bought and listened incessantly to every Cat Stevens song I could, until the Izitso LP. I couldn’t imagine that by the end of the year, he’d convert to Islam, starting enormous changes in his life—and that this would turn out to be the last song collection of his that I’d own.
 
At the time of its release 49 years ago this week, “Old Schoolyard” represented something of a comeback for Stevens after the commercially disappointing Numbers collection. This song reached #33 on the Billboard Top 100, the last time to date he’s achieved that distinction.
 
Maybe to the extent that it was successful, it was because “Old Schoolyard” tapped into baby boomers’ wistfulness and nostalgia. That’s certainly why it, along with another tune from the LP, “Child for a Day,” made such an impression on me at this time, when I was looking forward to senior year of high school, wondering what college would bring—and thinking back to what really wasn’t so long ago, to my own elementary school days.
 
Now in my retirement years, it all feels so much longer and far away. With another June here and another age cohort saying goodbye to this environment, do the younger generations go through something of the same thought process—or, in this digital age, are they too caught up in the present moment to consider how they and the world have changed?
 
On his “From My Desk at Home” blog, Steven Pereira—a couple of years older than me—offers an especially thoughtful meditation on childhood as a life stage for both Stevens and himself.

Friday, June 5, 2026

Quote of the Day (Nicolas Cage, Adding an Unforgettable Detail to an Already Memorable Film Scene)

[Among the rich lore of legends associated with the film “Vampire’s Kiss,” pictured here, David Marchese asks star Nicolas Cage if it’s true that he asked to have “hot yogurt poured on your toes” during an intimate scene.]

Cage: “There was some yogurt. There wasn’t hot yogurt, and I think I was administering the yogurt to myself.”

Marchese: “But why?”

Cage: “I don’t really remember.”

Marchese: “It’s better that you don’t.”

Cage: “Probably.”— Oscar-winning American film actor Nicolas Cage, interviewed by David Marchese, “Nicolas Cage Made Himself A Legend. Then He Had to Live With It,” The New York Times Magazine, May 31, 2026

Well, I’m glad we got that squared away. I think.

Faithful reader, do you recall perhaps the most bizarre interview ever conducted on David Letterman’s Late Show? Oscar-winning actor Joaquin Phoenix made the late-night host uncomfortable with his long hair, unkempt beard, and gaseous musings—until admitting a year later that it was all staged for a mock documentary.

I wonder if the same phenomenon is going on—and has been for years—with Nicolas Cage. Stories like the one above are only marginally less nutty than the ones retailed for years about him (including the urban legend that the actor actually is a vampire).  

Did the actor, bored by what Joni Mitchell called “the star-making machinery,” decide to have a little fun with his interviewer?

It wouldn’t be the first time that a celebrity spun a few fables for an all-too-credulous reporter or talk-show host. Bob Dylan was famous for that. The late director David Lynch and Twilight star Robert Pattinson were also known to have invented a tale or two.

Cage didn’t stop with that little yogurt yarn.

He disputed that he’d taken an aquarium from the Museum of Modern Art (actually, he says, it was a Lucite box that covers artifacts, and he had “used it as an enclosure for a king snake”).

And he acknowledged having jumped as many as four beer kegs in his childhood, and of even planning a “hoop of fire” around the whole until a sensible adult came and took it away.

Please—enough already! Nobody can be this crazy. It’s all a put-on—right?

Thursday, June 4, 2026

Quote of the Day (F. Scott Fitzgerald, on an Invitation to an Early June Wedding)

“There was the usual insincere little note saying: ‘I wanted you to be the first to know.’ It was a double shock to Michael, announcing, as it did, both the engagement and the imminent marriage; which, moreover, was to be held, not in New York, decently and far away, but here in Paris under his very nose, if that could be said to extend over the Protestant Episcopal Church of the Holy Trinity, Avenue George-Cinq. The date was two weeks off, early in June.”—American novelist and short-story writer F. Scott Fitzgerald (1896-1940), “The Bridal Party,” originally printed in Saturday Evening Post (August 9, 1930), reprinted in The Short Stories of F. Scott Fitzgerald, edited by Matthew J. Bruccoli (1989)

F. Scott Fitzgerald and a June wedding—how could I resist blogging about this? Well, as you see, I couldn’t.

But “The Bridal Party” is of interest for another reason: it was Fitzgerald’s first piece of fiction to take into account the Great Crash of the prior autumn. Though the bridegroom in the story, we are told, is “heavily involved” in the stock market, nobody knows how much he had lost on Wall Street: “Anyhow, nobody ever tells you the truth.”

Fitzgerald would later address this financial and cultural cataclysm more fully and piercingly in several essays that form the heart of his posthumous collection The Crack-Up.