Captain
Dr. B.J. Hunnicutt
[played by Mike Farrell]: “Thank you.”
Aggie: “There’s a certain gentleness
about you in the midst of all this craziness that’s very attractive, and…Can I
be direct?”
B.J. [smiling]: “Please, I hate
the way you beat around the bush!”
Aggie: “Well, you haven’t said or done
anything that can remotely be considered a pass, despite all the openings I’ve
given you. I don’t know whether to be flattered or insulted.”
B.J. [confused]: “I feel like
I’m about three feet over my head.”
Aggie: “Just relax and gloat.”
B.J. “Hey, you’re really something.”
Aggie: “Oh, let’s not lose control.”
B.J. “Oh, you want direct.”
Aggie: “Yeah.”
B.J.: “You’re one of the most…You’re an
extraordinarily attractive woman, but…”
Aggie: “Hold it right there. Back up
one. Go over that first part again, up to the ‘but’.”
B.J. “You’re an extraordinarily
attractive woman.”
Aggie: “Thank you. As for the second
part, I think I know what ‘but’ means, so I’ll quit while I’m ahead.”—M*A*S*H,
Season 8, Episode 23, “War Co-Respondent,” original air date Mar. 3,
1980, written and directed by Mike Farrell
Over its
12-year run, M*A*S*H featured many notable guest stars. But few made as
great an impact, or were as fondly recalled, as Susan Saint James, who
died late last month at age 80 of pancreatic cancer.
The
actress had not yet landed her co-starring role in the sitcom Kate and Allie,
but she had already become a favorite of TV viewers in The Name of the Game
and McMillan and Wife.
At the
time of the episode’s premiere, younger viewers of the series might not have
realized that Saint James’ character—with her Irish-sounding first and last
names, globetrotting journalism assignments, and considerable physical
allure—was modeled on Marguerite Higgins, who had achieved the height of her
fame with her Pulitzer Prize-winning coverage of the Korean War but has faded
into history after her death, at only age 46, in 1966.
Mike Farrell had already worked with Saint James on the TV movie Sex and the
Single Parent, so when it came time to cast O’Shea, he knew from that
project and her previous work that Saint James would perfectly fit the
intelligent, free-spirited, vivacious character.
Inevitably, film and TV fans of a certain age find themselves wishing that a long-retired star will somehow find a material that will lure them in front of the cameras again and remind you all over again of the shining talent they displayed in their youth.
For me, Saint James was one such luminary. After Kate and Allie
ended its run in the late 1980s, she largely concentrated on her family—an
emphasis reinforced by the tragic death of a teenage son in a 2004 jet crash.
After her
death, I saw dozens of tributes to her, from co-workers to just ordinary people
who met her by chance. All confirmed that she was down-to-earth, warm-hearted,
and deeply kind.
But the
most succinct summary of her might have been offered by her old co-star
Farrell, who wrote: “Goodbye, Susan. You were a remarkable talent, a beautiful
soul, and a cherished part of television history.”



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