“At sunrise on a first of April, there appeared, suddenly as Manco Capac at the lake Titicaca, a man in cream-colors, at the water-side in the city of St. Louis….
“From the shrugged shoulders, titters, whispers,
wonderings of the crowd, it was plain that he was, in the extremest sense of
the word, a stranger.
“In the same moment with his advent, he stepped aboard
the favorite steamer Fidele, on the point of starting for New Orleans. Stared
at, but unsaluted, with the air of one neither courting nor shunning regard,
but evenly pursuing the path of duty, lead it through solitudes or cities, he
held on his way along the lower deck until he chanced to come to a placard nigh
the captain's office, offering a reward for the capture of a mysterious
impostor, supposed to have recently arrived from the East; quite an original
genius in his vocation, as would appear, though wherein his originality
consisted was not clearly given; but what purported to be a careful description
of his person followed.”—American novelist and poet Herman Melville
(1819-1891), The Confidence-Man: His Masquerade (1857)
In a case of life imitating art, The
Confidence-Man was published by Dix, Edwards & Co., on April
Fool's Day. Its first chapter, excerpted above, took place on this same day, featuring
a swindler out to bilk passengers on a Mississippi steamboat.
Best known to his contemporary public for tales based on his own experience in the South Pacific in the early 1840s, Herman Melville wrote this satire without ever journeying on the great river that divides America into east and west.
Now regarded as perhaps the most modernist
of his fiction, it mystified readers at the time, failing so dismally that
Melville would never publish another novel in his lifetime. (His masterful
novella, Billy Budd, would not be released until 1924, more than 30
years after the author died virtually forgotten.)
But Melville had anticipated, by more than a
quarter-century, Mark Twain’s shrewd depiction of “The Duke and the Dauphin,”
two con men plying their trade along the Mississippi in Huckleberry Finn.
Even the name of the ship where Melville’s protagonist (as you might guess, the
“mysterious impostor” of the passage), “Fidele” (Latin for “faith”) hints at the credulity exploited all too easily among these passengers into the American Heartland.
In this cavalcade of conning, the reader comes across
promoters of stock in failing companies, peddlers of fake medicine, even collectors
for a fraudulent Seminole Widows and Orphans Society. In an American society
built on mobility, people can shed their old misfortunes at will—or, more
negatively, gull a new set of suckers.
One sentence in the novel captures the dual qualities that enable these shysters to operate--not just self-belief but also deceit: "Confidence is the indispensable basis of all sorts of business transactions.”
In 2023, Melville’s ship of fools now encompasses an
entire nation, all ready to fall for the next Internet hoax or the phantom
electoral fraud claim. George Santos and Donald Trump differ from Melville’s “man
in cream-colors” only in how much higher they aimed.
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