Central Park,
among other points of interest in its 843 acres, contains “Literary Walk,” s
series of statues dedicated to writers. In prior posts, I discussed those
dedicated to Robert Burns and William Shakespeare.
There was a time, a century and a half ago, when the
fame of Sir Walter Scott here in the
United States was nearly a match for either of them. Even though he remains a
figure of note and pride in his native Scotland, where his romantic vision of
the land sparked an interest in tourism that continues to this day, his novels
and poems haven’t worn as well here. Those aware of his work here in the U.S.
are likely to know it secondhand, through the TCM staple Ivanhoe (the 1951 film starring Robert Taylor and Elizabeth Taylor)
and the 1995 flick Rob Roy, starring
Liam Neeson and Jessica Lange (neither, of course, a Scot).
Blame some of the decline in Scott’s reputation on
Mark Twain. In Life on the Mississippi, the
American saw Scott as having “so large a hand in making Southern character, as
it existed before the [Civil War], that he is in great measure responsible for
the war.” In The Adventures of
Huckleberry Finn, Twain takes a gleeful revenge by having his two runaways
from the South, Huck and the slave Jim, board the sunken steamship the Walter Scott, which had “killed herself
on a rock.”
(Incidentally, for all his annoyance with Scott,
Twain found his influence inescapable.He felt compelled to use historical fiction, a
genre that the Scot had advanced more than any other writer, in writing about a
French adolescent girl of the late Middle Ages. Personal Recollections of Joan of Arc turned out to be Twain’s
favorite among his own writings.)
Twain’s biting comments came before the
commissioning and creating of a Central Park tribute to Scott. In 1871, the centennial
of Scott’s birth, a group of Scottish-Americans managed to get a statue in his
honor along what is now Literary Walk. Sir John Steell (also responsible for the park’s Burns
statue) created a bronze replica of his 1845 marble of Scott in the two men’s
native Edinburgh. Unveiled in November 1872, it shows Scott dressed in a flowing
cloak with workingman’s shoes, book and pen in hand, and his favorite dog,
Maida, at his feet. This is what I saw when I took this photograph three years
ago this past May.
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