“The conductor must not only make his orchestra
play, he must make them want to play. He must exalt them. Lift them. Start
their adrenaline pouring. Either by pleading or demanding or raging — it
doesn’t matter. It is not so much imposing his will on them like a dictator. It
is more like projecting his feelings around them so that they reach the last
man in the second violin section. And when this happens—when one hundred men
share his feelings, exactly, simultaneously, responding as one to each rise and
fall of the music, to each point of arrival and departure, to each little inner
pulse—then there is a human identity of feeling that has no equal elsewhere. It
is the closest thing I know to love itself.” —American conductor-composer Leonard
Bernstein (1918-1990), The Joy of Music (1959)
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