Thursday, April 3, 2014

Photo of the Day: Winfield Scott Statue, DC



Last fall, a fine article by Steven Malanga in City Journal observed that, “even in the city that once worshipped him [New York], few signs of [Winfield] Scott’s long residence remain.”

As I discovered on a trip to Washington in November, when I snapped this photo of this statue of General Winfield Scott, not every American city had neglected this great 19th-century general. But I think that “Old Fuss ‘n’ Feathers” would still feel aggrieved about his place in the capital and our nation’s memory, scowling as he asks from his perch atop the equestrian statue in the circle named for him:

*"How could you place my statue near Daniel Webster, who got in the way when I wanted the Whig nomination for President?”

*"You know how I hated compromise, so why did you satisfy my family with this stallion I’m sitting on rather than my favorite mare?”

*“Why did you stick me at one of the worst traffic circles in DC? No wonder nobody wants to stop and look at me—pedestrians are terrified about being run over! (And, to tell the truth, all those loud machines frighten me worse than the British, Indians and Mexicans ever did!”)

Scott was the most significant—and most successful—American soldier to serve in the half-century before the Civil War. Indeed, through his extensive teaching at West Point, his training (he wrote a pioneering code of conduct, regulations and organization for the army), and his mentoring to talented junior officers who would command Union and Confederate forces in the Civil War, he has a fair claim to being most responsible for the rise of the U.S. Army as a professional unit.

For all his talent and valor, Scott has been overlooked. Part of the reason is that his most significant service was in the War of 1812 and the Mexican-American War, conflicts deeply controversial in their own time and overshadowed today by questions of overreach and imperialism.

But you can find clues to Scott’s relative neglect even in the statue built by sculptor Henry Kirke Brown to atone for that error. There’s that resplendent lieutenant general’s outfit, for instance—a reminder that just about the first thing Scott did after receiving his commission in the army was to run out and buy a shiny uniform.

We have here a haughty, vainglorious guy, then—someone who, especially early in his career, got in trouble for shooting his mouth off about what a sorry lot his superiors were.

What was so infuriating to those who preferred him to be humbled was how often he turned out to be right:

* In 1810, he was court-martialed and suspended for a year because of derogatory remarks about Gen. James Wilkinson (being a "liar and a scoundrel" was the least of them, evidently). During the War of 1812, though, Wilkinson was relieved of command because of his mismanagement—and after his death, Spanish archives revealed that he was a paid agent of that government and a traitor to the U.S..

*In the Mexican-American War, Scott plunged so deeply into enemy territory that he decided to cut off from his supply line, living off the land. The strategy would be copied and used successfully in the Civil War by Ulysses S. Grant in the Vicksburg campaign and by William T. Sherman in his “March to the Sea.”

*By the start of the Civil War, the 75-year-old Scott, overweight and weary, resigned, then watched in disgust as successor George B. McClellan ignored his “Anaconda Plan” for destroying the Confederacy. It took three years and a few more commanders of the Army of the Potomac before Grant implemented this strategy of splitting the Confederacy through blockading Southern ports and coordinated troop movements that would prevent reinforcement of key enemy armies.

The next time you go near this downtown DC roundabout, then, make sure you salute smartly in the direction of this equestrian statue and exclaim, “Great Scott!”

Movie Quote of the Day (‘Auntie Mame,’ on How ‘Life’s a Banquet’)



Auntie Mame (played by Rosalind Russell): "Life's a banquet, and most poor suckers are starving to death!"—Auntie Mame (1958), screenplay by Betty Comden and Adolph Green from the novel by Patrick Dennis, directed by Morton DaCosta

Wednesday, April 2, 2014

Quote of the Day (Simon Schama, on ‘2 Special Things About the Jews’)



“I understood when I was quite small that there were two special things about the Jews. That we’d endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell. And somehow that these two things were connected, that we told our story to survive. We are our story.” ―Historian Simon Schama quoted in Elizabeth Jensen, “The Historical Becomes Personal,” The New York Times, March 23, 2014

(Photograph of Simon Schama at Strand Book Store, New York City. taken August 15, 2006, by David Shankbone)

Tuesday, April 1, 2014

Photo of the Day: Tidal Basin, DC



I snapped this photo late last November—not the ideal time to see the Tidal Basin in Washington, DC, from what I’ve heard, but still preferable to the very late winter blast that our nation’s capital has received lately.

I haven’t yet glimpsed this body of water when the cherry blossoms bloom and grace its shores. The sight, I gather, is so wondrous that this period in spring is one of the busiest times of the year in DC.

Still, even what I saw, on a bright fall day marked by flame-colored leaves, was dazzling, with the shimmering reflections of this man-man inlet forming an incomparable background to stirring memorials to some of our nation’s most illustrious figures—Thomas Jefferson, George Mason, John Paul Jones, Martin Luther King Jr., and Franklin Delano Roosevelt.

Quote of the Day (Casey Stengel, on ‘A Time in Every Man's Life’)



“There comes a time in every man's life, at least once, and I've had plenty of them….”—Casey Stengel quoted in Robert W. Creamer, Stengel: His Life and Times (1984)

The New York Yankees’ pursuit of their 28th World Series championship begins today in Houston, and somewhere in Heaven, the Bronx Bombers’ Clown Prince is smiling….