Flashback, December 1971: Lennon’s Yule Classic, ‘Happy Xmas,’ Released

Released 50 years ago this week, while American soldiers were still dying in Vietnam, “Happy Xmas (War Is Over)” did not enjoy the kind of immediate success that John Lennon was used to. But the single from the ex-Beatle and wife Yoko Ono has since become a staple of the holidays.

The single was so melodic that some have decried it for sappiness. (Producer Phil Spector noted its resemblance to The Paris Sisters’ 1961 hit “I Love How You Love Me.”)

But Lennon wanted to leave listeners with more than the cheerful ditties that he, Paul, George and Ringo used to send each Christmas to members of members of their fan club.

As a religious skeptic who had caused a firestorm of controversy by claiming that the Beatles were “bigger than Jesus,” he would not write a hymn to Christ the Redeemer. Likewise, he was uninterested in evoking the sleigh rides or winter landscapes that had increasingly filled the pop airwaves in the last few decades.

What he aimed for was, in part, a challenge—another attempt, like “Give Peace a Chance,” to attempt to rally sentiment against the Vietnam War through the power of music. His song’s refrain, “War is over (if you want it),” put to musical use a slogan of his “Bed in for Peace” protest with Yoko in late spring 1969.

The tune, recorded in late October 1971, came too late in the year for it to be promoted adequately in time for the Christmas season. (One singular exception: Lennon’s performance on the song in a December 16 appearance on The David Frost Show.)

From the last days of the Beatles through most of his decade as a solo artist, Lennon was engaged in a competition with Paul McCartney. One manifestation of that rivalry can be seen in their respective biggest Christmas hits as solo artists. Before he was murdered in 1980, it would not have been out of character for Lennon to compare his major solo Christmas song with McCartney’s, “Wonderful Christmastime.”

In the U.S., “Happy Xmas” peaked at number 36 on the Cash Box Top 100 Singles and number 28 on the Record World Singles Chart. Over in the U.K., matters were even worse, as a publishing-rights dispute between Lennon and music publisher Northern Songs led the song to be delayed for a year. “Wonderful Christmastime” didn’t do particularly well, either, in the U.S., reaching only number 83 on the Cash Box Top 100 Singles chart.

But in terms of how other artists how viewed the tunes, matters have shifted more decidedly Lennon’s way. The Website Second Hand Songs, which tracks song covers, lists approximately 100 interpretations of “Wonderful Christmastime” by other artists, versus more than 2 ½ times that amount for “Happy Christmas.”

The question of other artists’ interpretation of the song came to the forefront for me over 30 years after its release, when Sheryl Crow sang it live as part of the televised Rockefeller Center Christmas tree lighting in 2002. One year after the terrorist attack on the World Trade Center, with an attack on Iraq being prepared for the following year, Lennon’s call for collective responsibility (“Another year over/And what have we done?”) retained its melancholy undertone.

Nearly 30 years later, it still does, along with its appeal to universal brotherhood and the instinct for peace that crosses so many spiritual traditions.

Song Lyric of the Day (Stevie Wonder, Rebuking an American President)

“It's not too cool to be ridiculed

But you brought this upon yourself

The world is tired of pacifier

We want the truth and nothing else.”—American singer-songwriter and multi-instrumentalist Stevie Wonder, “You Haven't Done Nothin',” from his Fulfillingness' First Finale LP (1974)

Stevland Hardaway Morris, better known as Stevie Wonder, was born 70 years ago today in Saginaw, Mich. He was a decade into his phenomenal run as a hitmaker—but still only a few years into his zenith as a fully recognized creative force—when he released this uncharacteristic cry of rage.

It wasn’t that the Motown musicmaker did not act as a public social conscience, before or later—he not only covered Bob Dylan’s “Blowin’ in the Wind” but would later advocate for a national holiday honoring Dr. Martin Luther King Jr. in “Happy Birthday”—but 1974 was different for him, as for most Americans increasingly during that time.

Tired of racial division, tired of the ugly aftereffects of the Vietnam War, tired of Watergate—tired, above all, of the politician who, all evidence to the contrary earlier in his career, had promised to “bring us together”—Wonder finally had had enough.

Normally the most warm-hearted of souls, he sent a blast of hot funk at the venal occupant of the White House in August 1974, with his new single, “You Haven't Done Nothin'.” Two days later, Richard Nixon resigned.

Cause and effect? Oh, if only! But he had created a protest song that, nearly five decades later, has become newly relevant.

The next time Wonder has a chance to perform this in concert again, he might want to dedicate it to the Orange Menace now presiding over a greater stream of deception than Richard Nixon could ever have imagined. The singer might provoke a tweet or two from said Menace, not to mention execration from the latter’s army of MAGA hat-wearers. But sometimes the quality of a man is best determined by the nature of his enemies.

(One admirer of Wonder is Dr. Robert Holden, who hails him in the blog post, "Stevie Wonder Is My Life Coach.")