I took the picture accompanying this post a couple of days ago, on the first day of location shooting for a Season One episode of the upcoming 8-episode Netflix series Unaccustomed Earth.
The actors
and crew can be seen in the background of this photo. I didn’t want to move
closer lest it aggravate production assistants who would, of course, loathe distractions
on the set of this adaptation of Jhumpa Lahiri's acclaimed short story
collection.
Why did
the producers choose Sparkill, an upstate New York hamlet so small (less than 1,400 people) that if you sneeze,
you’ll miss it? Beats me, except that the state must have offered quite a
financial package to attract this business.
A local
businesswoman warned me before I drove up from Northern New Jersey that it
might be difficult to find parking near her store because of the movie
out-of-towners. So it proved, but I didn’t mind walking the few extra blocks.
Movie
location shooting can be tricky. Whatever publicity and dollars that might
accrue to the town often don’t mean much to local businesses that have to cope
with what sometimes turn out to be annoying and protracted disruptions of their
normal routines. What shows up on the screen may not be worth the turmoil.
My town,
Englewood, NJ, was the site of two Woody Allen movies, for instance. In Annie
Hall (1977), you can see the marquee of the then-still existing theater,
the Plaza, for up to a minute. Two years later, his script for Manhattan
called for what was evidently a satiric take on a Nazi rally. But you’d never
tell from the final cut: there’s only a scene of Woody and Tony Roberts driving
back into New York as evidence of something more.
It was a
more dismal outcome than another movie shot there the same year, the Peter
Falk-Alan Arkin farce The In-Laws. Any time I know it’s on TV, I can’t
wait for one of its maniacal car chase scenes, shot at the
southern end of my block, with my longtime church clearly visible in the
background.
A much
different experience unfolded in autumn 1999, when Robert Redford shot many
scenes for The Legend of Baggar Vance in Savannah, Ga. While on
vacation, I watched him on two consecutive days directing stars-in-the-making
Matt Damon, Will Smith and Charlize Theron in a courthouse scene. Onlookers
cheered wildly each time the actors waved at them in breaks.
Savannah was especially popular with filmmakers in the Nineties, with Forrest Gump also being shot there. But residents I talked to back then seemed to have especially fond memories of Midnight in the Garden of Good and Evil.
Despite what many might have thought from his Dirty Harry scowl, Clint Eastwood
evidently personified geniality, posing for pictures with many star-struck
locals.

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