“If you're famous, I don't—for the life of me—I don't understand why any famous person would ever be on Twitter. Why on God's green earth would you be on Twitter? Because first of all, the worst thing you can do is make yourself more available, right? Because you're going to be available to everybody. But also Twitter. So one drunken night, you come home and you've had two too many drinks and you're watching TV and somebody pisses you off, and you go 'Ehhhhh' and fight back. And you go to sleep, and you wake up in the morning and your career is over. Or you're an a--hole. Or all the things you might think in the quiet of your drunken evening are suddenly blasted around the entire world before you wake up.”—American actor-director George Clooney quoted in Tom Junod, “George Clooney's Rules for Living,” Esquire, December 2013
Well, I suppose that the publicist for George Clooney
finally persuaded him to the contrary, because four years after this Esquire
rant, the actor-director opened his own “George Clooney Official”
Twitter page. Nevertheless, Mr. C. must have warned that he would strictly
limit his involvement, because the tweets and retweets consist mostly of
pictures of himself and his wife, with minimal commentary.
Every other day, if not more often, Clooney must nod
his head over his foresight of nearly a decade ago. Though hardly shy about
expressing his opinions, he knows that old-time movie stars loomed large for a
reason other than the big screens of the Golden Age of Film: that overexposure
removes the mystique invested by fans.
Moreover, as someone who admitted to Newsweek
10 years ago that his past life of substance and and womanizing precluded a
life in politics, Clooney knows all too well the perils of going online and
venting to the world before you’ve had time to think it over and calm down.
Even if you’re not a party animal but simply love the sound of your own voice
(an occupational hazard in the entertainment industry), you run a big risk of
looking stupid.
Bette Midler, that means you.
You’d think that the singer-actress would have learned
her lesson from three years ago, when she tweeted that women “are the n-word of the world,” or especially last year, when she mocked Melanie Trump’s accent and called her an “illegal alien”—in both cases, sparking a backlash that led the
outspoken entertainer to issue uncharacteristic apologies.
But here she was at it again this week, when
frustration over Joe Manchin’s opposition to the “Build Back Better” social
spending plan of the Biden administration led her to lash out at the Democratic
Senator from West Virginia for wanting to keep all Americans like his state: “Poor, illiterate and strung out."
Less than an hour later, Midler was backtracking with
a tweeted apology to West Virginians (“Surely there’s someone there who has the
state’s best interest at heart, not his own!”)
No matter. In politics, this would have been
considered a gaffe, a statement that, for anyone not named Donald Trump, would
have halted any possibility for further advancement.
In entertainment, plenty of people feel that she was
right the first time. And therein lies the problem.
Statements like Ms. Midler’s only reinforce the
conviction of many in Red America that liberal elites are condescending and
unworthy of support (even someone like her, who has funded programs for
neighborhood revitalization and wounded veterans). She made it that much harder
to move back into the Democratic column a state that had once firmly backed the
New Deal.
An additional history lesson might be in order here. Ms. Midler, like all non-indigenous Americans (including me), are descended from groups who, for the longest time after arriving on these shores, were “Poor, illiterate and strung out.”
Maybe she should get a copy of Oscar Handlin’s The Uprooted so she can better understand how alienated and resentful the recipients
of taunts such as hers felt in the 19th century—and how belittling those remarks remain to the
underprivileged and marginalized of this country, whoever they are and wherever
they live.
(The photo of George Clooney accompanying this post
was taken at the Toronto International Film Festival on Sept. 9, 2011, by Ed
Van-West Garcia.)
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