“The things I like to
find in a story are punch and poetry.”—Irish man of letters Sean O'Faolain
(1900–91), foreword to The Short Story
(1948)
If you read almost any major anthology of Irish
short stories, then you are bound to believe that Sean O'Faolain—who died on this day 25 years ago in Dublin—packed
quite a bit of “punch and poetry.” William Trevor, himself a significant
short-story writer, ranked him with Liam O’Flaherty and Frank O’Connor as "the three most influential Irish writers in the genre since Joyce and Elizabeth Bowen established Ireland at the forefront of the modern short story."
In each of four
decades, O'Faolain produced at least one major story collection, as well as
four novels, biography, criticism and travel books. A soldier in the struggle
for Irish independence (and radicalized enough by that experience to change his
baptismal name, John Whelan, to its more Gaelic form), he would later criticize
conservative aspects of the republic born from the conflict, including
censorship, Church restrictions and the narrowness of middle-class life. His
life was chronicled in a memoir by his novelist daughter Julia.
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