Det. Stan “Wojo” Wojciehowicz [played by Max Gail]: “It's a New York City municipal bond.”
Det. Sgt. Nick Yemana [played by Jack Soo] [horrified]: “Oh, my God.”
A cultural "omniblog" covering matters literary as well as theatrical, musical, historical, cinematic(al), etc.
In late October 10 years ago, I visited Brown University while vacationing in Providence, R.I. I was impressed with the architecture of the Ivy League campus, but, with so much happening in my world and my life the last decade, I had little reason to think back on it.
Until late
yesterday, that is, when I saw the first awful news of yesterday’s campus shooting
that left two students dead and nine others injured.
Among the
photos I took 10 years ago was this one of the 95-foot-tall campanile
clocktower on the Quiet Green adjacent to the Van Wickle Gates, Hope College
and University Hall.
Carrie Tower was named for
Carrie Mathilde Brown, granddaughter of Brown University namesake Nicholas
Brown Jr., whose death in 1892 after 16 years of marriage devastated her
husband, Count Paul Bajnotti of Turin, Italy. The widower left this tangible
reminder of his wife in the city where they first met.
Preeminently, then, Carrie Tower stands for the enduring power of love—a force so strong, according to the monument's inscription, that "Love is Strong as Death." The truth of that statement will be tested in the days ahead, not just at Brown but in gun-maddened America.
“I wasn’t worried about God so much. I could come to terms with Him one way or another. What bothered me was people. Why should human beings bring suffering to others and to themselves, when they could all live together in peace and goodwill?”—Yiddish fiction writer and playwright Solomon Naumovich Rabinovich, a.k.a. Sholom Aleichem (1859-1916), “Schprintze,” in Favorite Tales of Sholom Aleichem, translated by Julius and Frances Butwin (1983)
Besides Carson McCullers, the Nyack area’s other major literary luminary was Toni Morrison. While walking in the village’s Memorial Park a couple of weekends ago, I came across and took a photo of this commemoration of African-American history that the Nobel Literature laureate (who resided a few miles away, in Grandview-on-Hudson) highlighted.
Ten years
ago this past May, as part of the Toni Morrison Society’s “Bench on the Road”
project, the novelist attended a public ceremony commemorating an
individual who was part of the vast diaspora resulting from the forced “Middle
Passage” from African freedom to American slavery.
The
project took its name from Morrison’s 1989 observation about the lack of public
places “to think about…to summon the presences of, or recollect the absences of
slaves.”
This
roadside monument honors Cynthia Hesdra, a former slave who became a
successful businesswoman and property owner in Nyack. As a conductor on the Underground Railroad, she aided others from the South in achieving the liberty and
opportunity she had come to enjoy.
The Underground
Railroad involved the transfer of an estimated 30,000 to 100,000 people to
freedom—a mass movement in which countless ordinary citizens performed extraordinary
deeds. They changed America forever by defying legally sanctioned, government-sponsored,
shameful racism.
Visitors passing
through Nyack would do well to ponder how Cynthia Hesdra did her part, and how
each of us could do ours now.
“It vexed him that his son-in-law replied to every question, ‘What do I know?’”— Lithuanian-born Yiddish novelist and poet Chaim Grade (1910-1982), Sons and Daughters, translated by Rose Waldman (2025)
“The entire earth, there’s only one country that frightens me – that’s the country of Germany. I don’t know if you guys are students of history or not, but… For those of you who aren’t, Germany, in the previous century – in the early part… they decided to go to war. And who did they choose to go to war with? The world. So you think that would last about five seconds and the world would f------g win, and that would be that. But it was actually close!”—Canadian stand-up comic, actor, and writer Norm Macdonald (1959-2021), “Hitler’s Dog, Gossip and Trickery” (special), Sept. 18, 2017
Well, there are a whole bunch of people right now who are not “students of history,” and that would be those American voters who put back in office a President who complained relentlessly about the cost of paying for the defense of Europe.
Now, as Isaac Stanley-Becker’s story in the new January 2026 issue of The Atlantic notes, Germany, which turned away from its militaristic tradition in atonement for World War II, is re-starting its war machine in earnest.
It’s not just Vladimir Putin’s threat to Ukraine that has scared it, but the harsh rhetoric of Donald Trump (given unforgettable form by his chief attack dog, Vice President J.D. Vance, at the Munich security conference earlier this year).
And all of that was before the release late last week of the administration’s new national security strategy.
By overwhelmingly shifting blame for the rise in tensions in Europe from Russia to European democracies (which, the document helpfully informs us, is risking “civilizational erasure”), the reactionary regime in Washington is laying out nothing less than “a clear plan for subversion in Europe,” aptly notes Tara Varma’s summary for the Brookings Institution.
Europe’s only alternative, she concludes, is clear: “prepare, invest in its own security and resilience, and resist these intimidation and influence operations coming from its closest ally.”
It might take a while, but MAGA will rue the consequences of what it has wrought in a rearming Germany. As Macdonald noted, this principal power in Central Europe was awfully good at making war in the first half of the 20th century. The United States learned, to its regret, that isolationism only allowed that war machine to run amok.
Who is to say, in a country where the far right is rearing its head again, that history won’t repeat itself?
The image accompanying
this post, of German troops parading through Warsaw, Poland, in September 1939,
comes from the National Archives at College Park, Still Picture Records
Section, Special Media Archives Services Division (NWCS-S).
“You shall judge of a man by his foes as well as by his friends.”— Polish-born British novelist Joseph Conrad (1857-1924), Lord Jim (1900)