[The Black Knight continues to threaten Arthur despite getting both his arms and one of his legs cut off.]
Black
Knight [played
by John Cleese]:” Right, I'll do you for that!”
King
Arthur [played
by Graham Chapman]: “You'll what?”
Black
Knight: “Come
here!”
King
Arthur: “What are
you gonna do, bleed on me?”
Black
Knight: “I'm
invincible!”
King
Arthur: “You're a
loony!”— Monty Python and the Holy Grail
(1975), screenplay by Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry
Jones, and Michael Palin, based EXTREMELY loosely on Le Morte
d’Arthur, by Sir Thomas Malory, directed by Terry Gilliam and Terry Jones
Fifty
years ago today, Monty Python and the Holy Grail opened in New
York City, on its way to earning $5 million in international gross and
elevating the Monty Python franchise from the small to the large screen.
King
Arthur and the Knights of the Round Table had never been like this. I don’t
think Sir Thomas Malory, in his wildest burst of creativity, would ever have
imagined evoking galloping horses using coconut shells; a “killer rabbit” that
causes unexpected mayhem; or “Galahad the Chaste” meeting “the maidens of
Castle Anthrax.”
That
hilarity and that robust box-office performance represented meager consolation
to cast member who have grumbled in the half-century since about the miserable conditions
for shooting on location, on a budget that could only please a skinflint, in
Scotland. Led Zeppelin, Pink Floyd, and Genesis felt so sorry for all who
labored through this that the rock bands all contributed to this movie's
budget.
Bad
enough that they were filming in wet, damp April. But the producers also couldn’t
afford decent hotel rooms for cast members, according to Jim Beckerman’s article
in yesterday’s Bergen Record. The actors rushed back to the hotel each
day in a mad competition to commandeer the limited number of baths and hot
water.
Several
years ago, John Cleese’s appearance at BergenPAC, not far from where I live in
Bergen County, NJ, included clips from the movie, as well as other highlights
of his career. But I didn’t need that to recall the uproarious Black Knight-King
Arthur confrontation that climaxes with the knight, with several bodily appendages
progressively removed, continues to protest his readiness to continue: “’Tis
only a flesh wound.’”
In
case you were wondering: Graham Chapman was the only cast member to wear
real chain armor. The rest made do with knitted wool, painted to look like
metal.
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