“About this time [during airport announcements],
someone is telling you to get on the plane. ‘Get on the plane. Get on the
plane.’ I say, ‘F--- you, I'm getting IN the plane! IN the plane! Let Evel
Knievel get ON the plane! I'll be in here with you folks in uniform! There
seems to be less WIND in here!’"—American stand-up comic George Carlin (1937-2008),
George Carlin: Jammin' in New York, original air date Apr. 25, 1992, directed
by Rocco Urbisci
I heard a slight variation on this joke on vacation
two months ago, while visiting the National Comedy Center in
southwestern New York. (This museum, which only opened earlier this year, is in
Jamestown, the town in which Lucille Ball lived as a child. It is well worth
your visit—and well worth a future blog post from yours truly.)
The joke reminded me of the shrewd attention to
language nuances by George Carlin. Mentally, I filed it away for future use. It
turns out to segue nicely into my brief consideration of daredevil Evel Knievel, born on this date 80
years ago in Butte, Mont.
If you came of age in the late Sixties to late
Seventies, as I did, you couldn’t have turned on your TV set without witnessing
some outlandish stunt or other by this showman. His first--performing wheelies,
crashing through plywood firewalls and jumping over two pick-up trucks at the
National Date Festival in Indio, Calif.—was a big success, but comparatively
tame compared with what followed at Caesars Palace, Las Vegas, where he
successfully jumped the fountains before crashing (1967); Snake River Canyon at
Twin Falls, Idaho (1975); and a crash in a jump over 13 buses at Wembley
Stadium in London, England (1975).
A fine interview with Knievel by Pat Jordan shortly before the
onetime media sensation died at 69 depicted him as the father of “extreme
sports.” It might be easier to think of Knievel as a defier of death, the late
20th-century link to Harry Houdini.
Muhammad Ali once humorously billed the daredevil in
his mid-‘70s prime as “the white Muhammad Ali.” Indeed, his motorcycle and
costume—a white leather costume with red-white-and-blue stars and stripes and a
flowing cape, inspired by his friend Liberace—both now reside in the
Smithsonian.
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