“I
brushed my hair, I held my breath
I
went out to face the wilderness.”— Shawn Colvin and John
Leventhal, "Summer Dress," performed by
Colvin on her CD, These Four Walls (2006)
This
post has been a bit late coming. But I didn’t want to let too much more time
pass by without taking note of the very, very fine performance by Shawn Colvin and Lyle Lovett on Tuesday night in Englewood, NJ. (The concert at BergenPAC—a venue whose acoustics and
audiences seem to be special favorites of musicians, judging from the repeat
performers passing through—was made additionally memorable by meeting up with
my longtime friends Brian, Martin and Cindy.)
The
two longtime friends combined a form of mutual admiration society and comic
duo, with the kind of unfeigned banter that morning show hosts might strive for
but don’t always achieve. They spring primarily from two distinctive musical
traditions—folk and country music—and achieved their greatest commercial
success in larger combos.
But,
on the acoustic guitar, each demonstrated what Lovett observed about his
musical partner: that, even with a single instrument, they provide the solid
foundation of a full band.
Both
in their early sixties, Colvin and Lovett bring to their own exquisitely
crafted songs skill, strength and depth undimmed by the years. (Colvin’s
“Summer Dress”—written after breakups with her second husband and her record
company—will be especially relevant for those going through midlife issues, as
so many I know are doing so now.)
I
recommend that any readers who have never seen these veteran singer-songwriters
in concert, alone or together, try to do so now. You will leave the hall
wanting to revisit the extensive, accomplished musical catalog of each.
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