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Unlike, say, John Milton, who sometimes ascribed
flowers to the wrong season of the year, The Bard is invariably accurate in his
references to plants, and never drags in one superfluously,
according to the 19th-century German critic Karl Elze in William Shakespeare: A Literary Biography.
Elze chuckles at how references in the plays have been plumbed to demonstrate “Shakespeare’s
intimate acquaintance with the most various branches of human activity, from
seamanship to a printer’s work.” But the multiple references to plants in the
plays imply that, at very least, he was an avid gardener, and that somehow in
his youth, he had strong reason to learn about so many plants.
In any case, the Shakespeare Garden offers a memorable way of teaching about this most extraordinary theatrical imagination.
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