Saturday, January 22, 2022

Quote of the Day (Anthony Trollope, on an Annoying, Loathsome Politician)

“That evening, — the evening of Mr. Bott’s return to Matching, that gentleman found a place near to Alice [Vavasor] in the drawing-room. He had often come up to her, rubbing his hands together, and saying little words, as though there was some reason from their positions that they two should be friends. Alice had perceived this, and had endeavoured with all her force to shake him off; but he was a man, who if he understood a hint, never took it. A cold shoulder was nothing to him, if he wanted to gain the person who showed it him. His code of perseverance taught him that it was a virtue to overcome cold shoulders. The man or woman who received his first overtures with grace would probably be one on whom it would be better that he should look down and waste no further time; whereas he or she who could afford to treat him with disdain would no doubt be worth gaining. Such men as Mr. Bott are ever gracious to cold shoulders. The colder the shoulders, the more gracious are the Mr. Botts.”—English novelist Anthony Trollope (1815-1882), Can You Forgive Her? (1864)

About two weeks ago, with a short window of time to get in and out of an area library during this pandemic, I came across a box DVD set of the mid-1970s British miniseries The Pallisers, an adaptation of six novels by Anthony Trollope.

College reading lists of Victorian literature are far more likely to accommodate Charles Dickens, the Bronte sisters, and William Makepeace Thackeray than this novelist who surpassed them all in productivity, and by a long shot. (Even Dickens, with 15 novels, lagged far behind Trollope, with 40.)

But I was enthralled by The Way We Live Now, in which Trollope tracked the fortunes of a financial pirate who would have found himself just as much at home in the Age of Enron, and had also enjoyed a couple of novels in the Barsetshire sequence. So I pulled down from the library shelves, rented—and so far, have been enjoying—The Pallisers series.

Even so, I suspected that the original print material represented a rich source that the adaptation could not match. The passage above demonstrates why.

In certain ways, that paragraph flagrantly violates, with its ever-present narrator, that cliché of grad school writing programs, “Show, not tell.” But I don’t mind in the least. The tone of the passage is ironic (oh, those deflating "little words"!) without crossing into cynicism.

What print can convey, in a way that a visual often can’t, is also underscored in the contrast between the image accompanying this post—actor John Stratton, as Bott—and Trollope’s further description of the character:

“He was a tall, wiry, strong man, with a bald head and bristly red beard, which, however, was cut off from his upper and lower lip. This was unfortunate, as had he hidden his mouth he would not have been in so marked a degree an ugly man. His upper lip was long, and his mouth was mean."

Moreover, as a master realist, Trollope is, like Leo Tolstoy, ultimately concerned with human nature—a subject that, I’ve come to believe, changes little, no matter the age, place, or (as in this case) tonsorial style. Mr. Bott might be a Member of Parliament in the Victorian Era, but in his cloying ambition and urge to conquer, whether constituents or women, he has more than a few counterparts in the U.S. Congress of the 21st century.

“Gracious to cold shoulders”—I’m not sure that I’ve come across such a withering description of politicians. It is very easy to imagine a modern Mr. Bott verging easily into sexual harassment.

Alice isn’t the only female to recoil in his presence: her impulsive cousin and friend, Lady Glencora Palliser, does virtually nothing to hide her distaste for him, despite being warned by her husband, Plantagenet Palliser, that Bott is an ally to be cultivated for his own work and career in Parliament.

Altogether, Trollope produced, for a relatively minor character, a masterly description of a man who is pushy, smarmy, wheedling, odious, and (to use a William F. Buckley Jr.-type word that expresses in sound exactly what it intends) oleaginous—exactly the type, on either side of the Atlantic, meant to stride briskly, like he owned the place, through the corridors of power.

(For an excellent summary of why The Pallisers miniseries, despite a pace decidedly leisurely by today’s standards, remains “a reminder of how satisfying television drama can be when writers, producers and directors concentrate on emotion instead of editing, and don’t underestimate their audience,” I urge you to read Neil Clark’s 2016 post in the “TV and Radio Blog” of the British paper The Guardian.)

Friday, January 21, 2022

Quote of the Day (Burt Reynolds, on the Quality of His Movies)

“My movies were the kind they show in prisons and airplanes, because nobody can leave." —American film and TV star Burt Reynolds (1936-2018) quoted in “Show Business: Frog Prince,” Time Magazine, Aug. 21, 1972

Thursday, January 20, 2022

Quote of the Day (William James, on Life as a ‘Mass of Habits’)

“Our virtues are habits as much as our vices. All our life, so far as it has definite form, is but a mass of habits,—practical, emotional, and intellectual,—systematically organized for our weal or woe, and bearing us irresistibly toward our destiny, whatever the latter may be.” —American philosopher William James (1842-1910), The Principles of Psychology (1890)

Wednesday, January 19, 2022

Quote of the Day (Matthew Arnold, on ‘The Only Secret of Style’)

“People think that I can teach them style. What stuff it all is! Have something to say and say it as clearly as you can. That is the only secret of style.” —English critic-poet Matthew Arnold (1822-1888), quoted in G. W. E. Russell, Collections and Recollections (1904)

Tuesday, January 18, 2022

Quote of the Day (Ralph Waldo Emerson, on Beauty)

“Wherever snow falls or water flows or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, — there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble.”— American philosopher, essayist, and poet Ralph Waldo Emerson (1803-1882), “The Poet,” in Essays: Second Series (1844)

Monday, January 17, 2022

Quote of the Day (Martin Luther King Jr., on God’s Laws ‘Planted in the Fiber of the Universe’)

“God has planted in the fiber of the universe certain eternal laws which forever confront every man. They are absolute and not relative. There is an eternal and absolute distinction between right and wrong.” — American civil-rights leader and Nobel Peace Prize laureate Dr. Martin Luther King Jr. (1929-1968), qualifying examination answers, “Theology of the Bible,” quoted in The Papers of Martin Luther King, Jr., Volume II: Rediscovering Precious Values, July 1951-November 1955 (Senior Editor: Clayborne Carson; Volume Editors: Ralph E. Luker, Penny A. Russell, and Pete Holloran), 1994

Sunday, January 16, 2022

Spiritual Quote of the Day (Abraham Joshua Heschel, on the Prophet Vs. His Corrupt Society)

“The prophet…said No to his society, condemning its habits and assumptions, its complacency, waywardness, and syncretism. He was often compelled to proclaim the very opposite of what his heart expected. His fundamental objective was to reconcile man and God. Why do the two need reconciliation? Perhaps it is due to man's false sense of sovereignty, to his abuse of freedom, to his aggressive, sprawling pride, resenting God's involvement in history.”— Polish-born American Jewish theologian Rabbi Abraham Joshua Heschel (1907-1972), The Prophets (1962)