In George Orwell’s Nineteen Eighty-Four, the
“two-minute hate” is a public screaming session in which members of a
totalitarian state vent their anguish and frustration toward a politically
expedient enemy. It becomes a “hideous ecstasy of fear and vindictiveness, a
desire to kill, to torture, to smash faces in with a sledge-hammer.”
In the age of shortened attention spans and social
media, that tendency to express one’s suppressed hate has spilled over from
politics to entertainment.
When, it’s discovered, performers behind the scenes
are not as genial as their public image, the vitriol directed in their
direction becomes too much to handle, and damage-control doctors (formerly
known as publicity agents) justify their salaries by working overtime and
taking any headache remedy at hand.
Rosie O’Donnell, dubbed “The Queen of Nice” by Time
Magazine as a daytime talk-show host in the early years she was on, can relate.
So, even more so, can Ellen DeGeneres.
The latest TV star to experience this phenomenon is Jimmy Fallon—the subject, you may have heard, of a Rolling Stone expose
of his show’s toxic environment.
Fallon is now in a situation in which every utterance
that he or a guest makes is likely to be scrutinized on the spot or
reinterpreted at some point in the not-so-distant future, at least sometimes in
a manner not originally intended. It’s happening already, in the Tonight
Show episode featuring today’s “Quote of the Day.”
Fallon’s critics are citing Steve Martin’s joke as a
sly way of pointing out the host’s phoniness—especially since it came right
after friend Martin Short’s remark in a similar vein: “This is the greatest
show on television because there’s no host on late night that pretends to care
the way you do. I mean, no one captures phoniness the way you do.”
A close look at the Martin-and-Short segment in which
this exchange took place shows how out of context such criticism is (especially
since the two comics lobbed increasingly absurd remarks not only at Fallon but
also each other). But that won’t seem so to Fallon haters.
“There’s no business like show business,” advised
Irving Berlin, but that adage is only true to an extent. Money passes through
show business like all other kinds, bringing with it greed, insecurity,
ruthlessness, and the arrogance of power.
If show business does differ from other professions,
it is because its members are more glamourous and more charming than the rest
of us—and, thus, more adept at concealing their less savory character traits.
The Fallon Fiasco is, in a sense, an outgrowth of the
#MeToo movement—which, far more than an attack against the misuse of sex in
employment, was an outburst against the misuse of power.
In the wake of these scandals, employees have grown
more accustomed to bringing their grievances to journalists. What toxic
entertainers and their enablers may have counted on previously—silence—no
longer works so well.
In years past, biographers would have to wait at least
several days following their subjects’ burial before they could safely state
with little fear of recrimination, for instance, that Jackie Gleason was
far from “The Great One” to Honeymooners writers, or that Johnny Carson could be variously drunk, verbally abusive, or aloof when not in
front of an audience. Quite a difference from today.
Will Fallon be canceled as a result of these
revelations? Not necessarily. With the writers’ strike putting TV production on
hiatus, he will have more time to work out an apology to the public and not
just to his staffers.
If the not-so-subtle hints in the article are true, he
could also take the time to go into rehab, in order to deal with the substance
abuse that, the Rolling Stone article strongly hints, may have
contributed to his moodiness.
In one sense in his remark above, Steve Martin was
being more correct than he may have realized with his reference to The
National Enquirer. In 2016, a
Presidential aspirant arranged to have Enquirer publisher David Packer
pay for, then kill, a story that could have damaged his candidacy.
Only now has that “catch-and-kill” program put the
candidate in any sort of legal jeopardy—but I’d still bet that he is less
likely to face the consequences of that than Jimmy Fallon, whose conduct did
far less damage to the American republic.
