Jerry Seinfeld [played by Jerry Seinfeld]: “So, what about the ‘Maestro’ stuff? Did he make you call him Maestro?
Elaine Benes [played by Julia Louis-Dreyfus]: “Yeah, I called him Maestro.”
Jerry: “You didn't mind?”
A cultural "omniblog" covering matters literary as well as theatrical, musical, historical, cinematic(al), etc.
“There is no limit to the number of possible different emotions which may exist, and why the emotions of different individuals may vary indefinitely, both as to their constitution and as to objects which call them forth.”— American philosopher William James (1842-1910), The Principles of Psychology (1890)
“There are some who will welcome with delight the idea of solving the Irish question by doing away with the Irish people. There are others who will remember that Ireland has extended her boundaries, and that we have now to reckon with her not merely in the Old World but in the New.”— Anglo-Irish playwright, novelist, short-story writer, and wit Oscar Wilde (1854-1900), review of J.A. Froude’s “Two Chiefs of Dunboy, " The Pall Mall Gazette, Apr. 13, 1889
“When we first started out, I was terrified of doing anything wrong onstage. I got to learn, though, that people don’t mind. In fact, they kind of like it. People go, ‘I was at the show where he made a mistake!’”—English composer and rock ‘n’ roll legend Sir Paul McCartney, quoted by Hardeep Phull, “Paul McCartney Plays for the Kids at Frank Sinatra School,” New York Post, Oct. 9, 2013 I wasn’t that big a fan of Paul McCartney’s post-Beatles work in the Seventies, but I’m curious to see the recent documentary about that period, Man on the Run.
"Neither international law nor the United Nations charter allows for a country to export its political system to others, and certainly not through war. It may be reassuring to some Americans to think of our country as above the community of nations and beyond the footling machinations of minor states. But the tendency to think we can ignore history and the feelings of others leads to gross miscalculations, like the failure to anticipate Iraqi resentment of American occupation. [Neoconservative thinker Robert] Kagan may be right that ‘it is reasonable to assume that we have only just entered a long era of American hegemony.’ It is also reasonable to conclude that the rest of the world will fight this hegemony tooth-and-nail—at the UN, on the Internet, in the vastly expanded media, and, unfortunately, through violence. Other people may accept, under duress, that the United States is the most powerful nation. But it is unlikely that they will accept the premise that we are the best nation that has ever existed, with a providential right to dictate to others.”—American essayist, poet, and freelance writer Bruce F. Murphy, “The Last, Best Hope? The Perils of American Exceptionalism,” Commonweal, Oct. 8, 2004
Clearly, in targeting Iran a generation after we thought we could shift the power dynamics of the Mideast for the better, this country did not learn a major lesson of the Iraq War: the folly of what
historian Arthur Schlesinger Jr. called replacing “a policy that aimed at peace
through the prevention of war by a policy aimed at peace through preventive war.”
Donald
Trump distinguished himself from the rest of the Republican candidates for
President in the 2016 primaries by declaring the Iraq War a disaster. Many of those
who voted for him in the next three fall Presidential elections assumed that he
would keep the nation out of future conflicts.
But after his nearly half a century in the public eye, could anyone reasonably assume that a personality so bellicose in dealing with others would not sometime, somewhere resort to an actual war putting lives at risk?
And can anyone now
assume that, after he loudly dissed our allies since January 20, 2025, we will be
strong enough to go it alone and never need their support again?
[A slightly shady promoter-manager summarizes his new client, exceptional multi-sport female athlete Pat Pemberton, played by Katharine Hepburn.]
Mike
Conovan [played
by Spencer Tracy] [to his friend Barney]: “You see her face? A real
honest face. The only disgustin’ thing about her.”— Pat and Mike (1952), screenplay by Ruth Gordon
and Garson Kanin, directed by George Cukor
“All the congregation of the people of Israel moved on from the wilderness of Sin by stages, according to the commandment of the Lord, and camped at Reph′idim; but there was no water for the people to drink. Therefore the people found fault with Moses, and said, ‘Give us water to drink.’ And Moses said to them, ‘Why do you find fault with me? Why do you put the Lord to the proof?’ But the people thirsted there for water, and the people murmured against Moses, and said, ‘Why did you bring us up out of Egypt, to kill us and our children and our cattle with thirst?’ So Moses cried to the Lord, ‘What shall I do with this people? They are almost ready to stone me.’ And the Lord said to Moses, ‘Pass on before the people, taking with you some of the elders of Israel; and take in your hand the rod with which you struck the Nile, and go. Behold, I will stand before you there on the rock at Horeb; and you shall strike the rock, and water shall come out of it, that the people may drink.’ And Moses did so, in the sight of the elders of Israel. And he called the name of the place Massah and Mer′ibah, because of the faultfinding of the children of Israel, and because they put the Lord to the proof by saying, ‘Is the Lord among us or not?’”—Exodus 17:1-7 (Revised Standard Version) The image accompanying this post, Moses Drawing Water From the Rock, was created in 1577 by the Italian Renaissance painter Jacopo Tintoretto (1519–1594).
“America would be better off if its elites could act responsibly without being terrified. If CEOs remembered that citizens are a kind of shareholder, too. If economists tried to model the future before it arrives in their rearview mirror. If politicians chose their constituents' jobs over their own. None of this requires revolution. It requires everyone to do the jobs they already have, just better.”—American journalist Josh Tyrangiel, “What’s the Worst That Could Happen? AI and the Future of Work,” The Atlantic, March 2026
I took the image accompanying this post more than a week ago, when snow from the late February blizzard was not only still on the ground but obstructing walkways. That meant that I couldn’t get close enough to read whatever inscription appears on the base of these outdoor sculptures, so I don’t know the name of the artist or the date when this was installed. The next time I return to the library, I’ll see if these exist.
But I
couldn’t help but smile when I saw these figures. They evoke what so many of
us—including current and former librarians like me—know: that the best time to
foster a love of reading is when children are young.
Nowadays,
it’s even more urgent that we realize this, as so many digital distractions
exist, far beyond what our parents and grandparents feared with the rise of
television.
Dr. Sheldon Kornpett [played by Alan Arkin]: “You were involved in the Bay of Pigs?”
Vince Ricardo [played
by Peter Falk]: “Involved? That was my idea.”—The In-Laws (1979), screenplay by Andrew Bergman, directed by Arthur Hiller
“In two or three years, Kuwait will be close to looking as it did before Iraq looted and plundered it. But I guarantee that the West Side of Chicago, much of the Bronx, and the slums of Newark, Gary, New Orleans, and other American cities will be the same mess they are now. That’s because Kuwait sits atop an ocean of liquid gold. It can hire the giant Bechtel corporation and other globe-hopping companies to perform a miraculous rehab job. Unfortunately, nobody is drilling gushers on the West Side of Chicago or in Detroit or the Bronx. And Bechtel doesn't take our IOUs.”—Pulitzer Prize-winning newspaper columnist Mike Royko (1932-1997), “Kuwait’s Future Brighter Than Ours,” originally published in the Chicago Tribune, Mar. 12, 1991, reprinted in One More Time: The Best of Mike Royko (1999)
Operation
Desert Storm concluded 35 years ago this past Saturday. The outcome made a
national hero of General Norman Schwarzkopf, briefly boosted President George
H.W. Bush’s approval rating, and even now retains something of a retrospective
glow: a conflict with comparatively few American casualties, with a limited
objective—Saddam Hussein’s occupation forces thrust out of Kuwait.
But every
war has unintended, often deleterious, consequences, and the 1990-91 Gulf War
was no different. To ensure that Saddam would not threaten a key oil-rich ally,
Bush stationed American forces in Saudi Arabia, which Osama bin Laden saw as an “infidel” offense against Islam’s holiest sites. He launched al Qaeda in an
attempt to drive them out.
Right on
the anniversary of that first Gulf War, another Mideast war of choice was
launched. Already there are casualties, and sites have been hit not only in
Iran, but elsewhere in the Mideast.
Even if
the war concludes with an outcome that President Trump proclaims favorable, we
won’t know for years—as also with the replacement of a prior leader with the
Shah of Iran in 1953—whether this will be in long-term American interests.
The region
has a long memory, and you can bet it’ll remember that Trump told The New York
Times back in 2016 how his policy for fighting the Islamic States would
differ from Barack Obama’s: “I’ve been saying it for years: Take the oil.” It’s
impossible to ascribe good motives to a country that’s elected a leader who so unashamedly
proclaims self-interest.
I wish
Mike Royko were alive to comment on all this. Long ago, when Trump was only a tabloid
fixture, the columnist, in a hilarious February 1990 piece, informed readers,
with tongue planted firmly in cheek, that Marla Maples was not the
aspiring mogul’s mistress but, according to “a very high-ranking source in the
Trump Organization,” his personal laundress:
“And that,
pure and simple, is the reason Mr. Trump kept her nearby, in a hotel room one
floor below his, and brought her to Aspen and took her on his yacht and had her
accompany him to parties and other social events.”
But in this “Quote of the Day,” Royko got serious, pointing out what remain American problems: neglect at home while millions are spent on foreign conflicts.
(Though
progress has been made in some neighborhoods in the areas mentioned, too many
remain symbols of urban decay. And before long, the pain spread beyond the
inner city: from 1980 to 2016, the Great Lakes region lost ground economically,
with Michigan, Wisconsin, and western Pennsylvania performing particularly
badly, according to Indermit Gil’s 2019 analysis for the Brookings Institution.)
Much like
“Make America Great Again,” the notion of “America First” was a chimera, a
propaganda slogan conceived to create a scapegoat—aid going to foreign
governments or, worse still, foreigners coming to this country—for this
nation’s underinvestment in its own material and human resources.
Don’t
imagine for a moment that this situation will be redressed in that den of
scorpions, the Middle East. Even the quick takeover of Venezuela ended up
costing $3 billion for its late August-to-early February military buildup,
according to Becca Wasser, a military strategy expert at the Centre for a New
American Security, a think-tank.
The
Iranian campaign is already longer than that, even beyond the walkover stage,
courtesy of an administration equally lacking competence and conscience. We’d
better hope that this conflict won’t devolve into the quagmire that the Second
Gulf War became under George W. Bush.
“Russia is an enormous plain across which wander mischievous men.”—Russian playwright and short-story writer Anton Chekhov (1860-1904), Note-book of Anton Chekhov, translated by S.K. Koteliansky and Leonard Woolf (1921)
The
trouble is, a mischievous man ends up the ruler of the country, with similar
men as his minions.
I took the image accompanying this post two days ago, after rising temperatures had helped melt some of the 27 inches of snow from earlier in the week. To clear space in the large parking lot just north of our city’s downtown, a tractor moved all that white stuff into a mammoth pile.
Make that two
mammoth piles. The one seen here was in the park. Another was in a single spot
in the parking lot.
Believe it
or not, these piles were even wider and higher when the tractor finished its
work. I’m just hoping that Mother Nature will take care of the rest in short
order and reduce it all to large puddles.
[Maude Findlay is alarmed as she comes into her living room to find daughter Carol dancing “The Hustle” with lecherous middle-aged married businessman Randy Cutler, who’s about to buy a store from Maude’s husband Walter.]
Maude Findlay
[played by Bea Arthur] [turning off the record, picking up another
one]: “Randy, Randy, I’m so sorry to interrupt, but you must hear
the new album Walter just bought: “Charlton Heston and ‘The Ten Commandments.’
That's the one that has that hit single ‘Thou Shalt Not Commit Adultery.’” —Maude,
Season 4, Episode 12, “Walter’s Ethics,” original air date Dec. 1,
1975, teleplay by Arthur Marx and Bob Fisher, directed by Hal Cooper
“The Eucharist—the community’s shared anamnesis or remembering of Christ’s sacrifice and Christ’s revelation of himself in glory—makes Christ truly present in our world. Rather than building a monument in response to holiness, we are called to become the living stones. Our lives, our hearts, and our communities are called to become a testament to the transfiguration we have seen. The church is not real estate. We don’t need to pitch a tent. We just have to go out and share the memory.”—Journalist and author Renee Roden, “A Reflection for the Feast of the Transfiguration,” www.USCatholic.org, July 31, 2023
The image
accompanying this post, The Transfiguration, was created by the Italian
Renaissance painter Raffaello Sanzio da Urbino, a.k.a. Raphael (1483-1520).