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[After attending a
party preceding Joe Castleman’s reception of the Nobel Prize in Literature, he
and wife Joan Castleman have just entered an opulent Stockholm hotel suite.]
Joan Castleman
[played by Glenn Close, pictured]: “Brush your teeth. Your breath is bad.”
Joe Castleman
[played by Jonathan Pryce]: “Do you think they noticed?”
Joan:
“No, they were too busy being awed.”—The Wife (2018), screenplay
by Jane Anderson, based on the novel by Meg Wolitzer, directed by Bjorn Runge
“She
returned to the island on Friday, August 16, on the three o’clock ferry. She
was wearing jeans, a plaid shirt, plain flat shoes without socks, carrying a
satin parasol and a handbag, and her only luggage was a beach bag. In the row
of taxis at the dock she went straight to an old model corroded by the sea air.
The driver welcomed her warmly and took her jolting across the destitute
village, with its mud-walled shacks, palm-thatch roofs, and streets of burning
sand beside a sea in flames. He had to swerve around undaunted pigs and naked
children pretending to be toreadors. On the outskirts of the village he drove
down an avenue of royal palms where the beaches and the tourist hotels were,
between the open sea and a lagoon inhabited by blue herons. At last he stopped
outside the oldest, most dilapidated hotel.”—Colombian novelist, journalist,
and Nobel Literature laureate Gabriel García Márquez (1927-2014), Until August, translated by Anne McLean (2024)