Showing posts with label Harry Hopkins. Show all posts
Showing posts with label Harry Hopkins. Show all posts

Tuesday, December 29, 2015

This Day in Presidential History (FDR Urges ‘Arsenal of Democracy’ for Britain)



December 29, 1940—Two months after campaigning on a promise not to involve America in another overseas war, Franklin D. Roosevelt took an enormous step toward doing just that by urging his countrymen to become an “arsenal of democracy” by shipping arms to Great Britain in its struggle against the Axis powers of Germany, Italy and Japan.

The military might displayed by these dictatorships was immense, but so, at the time of this foreign-policy “fireside chat,” was the American isolationist movement—a force that crossed partisan, religious and ethnic lines, taking its initial cue from George Washington’s 1796 Farewell Address admonition to “steer clear of permanent alliances with any portion of the foreign world,” reinforced by the nation's disillusionment with WWI.

That movement was also deeply suspicious of FDR's intentions. While normally choosing his words with enough care to allow him wiggle room in case of a policy reversal, Roosevelt felt the necessity, in an October 1940 campaign address in his close race against Republican Wendell Willkie, to make the kind of categorical assertion that his enemies would remember for decades: “I shall say it again and again and again: Your boys are not going to be sent into any foreign war.”

(That statement makes the short list of Presidential utterances regarded by supporters as unfortunate bows to necessity and by naysayers as blatant lies, along with George H.W. Bush’s “Read my lips: no new taxes” and Barack Obama’s “If you like your doctor, you'll be able to keep your doctor; if you like your health care plan, you'll be able to keep your health care plan.")

FDR had just demonstrated, in his precedent-breaking third-term victory, that he still held enormous sway with the electorate. But it would take all his mastery of men to shift America’s diplomatic posture away from isolationism. In solving the immediate problem of confronting Fascism, though, he would shove the nation decisively toward what historians Thomas K. Duncan and Christopher J. Coyne of George Mason University have called “The Permanent War Economy.”

Roosevelt was one of the great Presidential phrasemakers (e.g., “the only thing we have to fear is fear itself,” “rendezvous with destiny,” “date that will live in infamy”). But in this instance, it was Harry Hopkins, his former Secretary of Commerce (and continuing devoted informal adviser), who suggested the most enduring phrase in the radio address, and Hopkins who would help implement the legislation it championed as the President’s unofficial representative to the U.K.

Unlike his predecessor at Downing Street, Neville Chamberlain, Winston Churchill had found in FDR a congenial transatlantic partner in his policy concerning Hitler. The British Prime Minister, then, had no hesitation in spelling out, in a long letter read by FDR on a Caribbean cruise early in December 1940, the dire straits in which his country found itself.  A little less than one year after declaring war on Germany—and only a bit more than half a year since Churchill himself had assumed the reins of power—the U.K. was running out of money to pay for war goods.

FDR had arranged a “Destroyers for Bases” swap in early September, but American law still limited the transfer of weapons. His Secretary of War, Henry Stimson, had expressed frustration over Congressional foot-dragging in coming to the aid of Britain. (Congress was “doing an immense amount more harm than good and [members] restrict the power of the Commander in Chief in ways in which Congress cannot possibly wisely interfere. They don’t know enough.”)

Churchill’s massive missive catalyzed FDR to push for the Lend Lease Act to get munitions into the hands of Britain and Canada. In one sense, the President was doing what he had been since the start of the New Deal: not consciously implementing a long-range program, but dealing, on an ad-hoc basis, with an immediate problem as realistically as he could. But, even as he attempted to defuse the fears of isolationists at the start of his speech by saying it would not be “a fireside chat on war,” he was pointing toward its ultimate import by labeling it “a talk on national security.”

“We must be the great arsenal of democracy,” he urged. “For us this is an emergency as serious as war itself. We must apply ourselves to our task with the same resolution, the same sense of urgency, the same spirit of patriotism and sacrifice as we would show were we at war.”

By his own lights, his proposal—to pull out all stops, through Lend Lease, to ensure Britain had enough resources to survive against Nazi Germany—was the only feasible way to ensure that America would not become directly involved, as he put it, in “a last-ditch war for the preservation of American independence and all the things that American independence means to you and to me and to ours.” But in the process, he was uniting the military, big business and labor in a defense-mobilization effort that would survive the end of WWII, through the Cold War and the War on Terror, as the military-industrial complex.

FDR can be best understood now as a crypto-interventionist. He had to proceed carefully because of neutrality legislation passed by Congress in the last decade. But events overseas gave an assist to his persuasive rhetoric: His fireside chat had “particular power and urgency,” noted David McCullough in his biography of Harry Truman, “because German bombers were pounding London” in the Blitz.

The march of Nazism across Europe began to tilt the balance, in the following year, as the President took one unneutral step after another to supply Great Britain and the USSR in their fights against Hitler. It culminated in the fall of 1941, when the U.S. had become involved in an undeclared shooting war in the North Atlantic against Germany. 

Had Hitler not declared war on the U.S. after Pearl Harbor, thereby fulfilling his diplomatic promise to his Axis partner, Japan, the United States would have faced the thorny question of whether to take the last fateful step—a declaration of war—in which FDR’s policies had increasingly inclined the U.S.

Wednesday, April 14, 2010

Flashback, April 1935: FDR Creates WPA as Key Jobs Program


Last Wednesday marked the 75th anniversary of the creation of one of the most significant pieces of New Deal legislation, the Emergency Relief Appropriations Act of 1935, which helped to fund the Works Progress Administration (WPA). Experimental in origin, vaulting in ambition, the WPA quickly ran into controversy, so of course it fell by the wayside, terminating after eight years in operation.

But before it ran its course, the WPA—a “boondoggle,” according to critics—put 8.5 million people to work—not just construction workers but also artists, musicians, theater professionals, and writers.

As the nation continues to cope with issues involving employment and the corrosion of the national infrastructure, it’s useful to remember a government program that decreased estrangement of the people from their government while enhancing all things physically necessary for a modern economy dependent on a transportation grid—bridges, roads, tunnels, airfields.

The WPA was one of what might be thought of as “alphabet soup” agencies that became an increasingly prominent part of the federal government under President Franklin Roosevelt—AAA, NRA, TVA, CCC, for instance. The agency’s first head, hard-driving Harry Hopkins, had already led one such agency, the Civil Works Administration, until his implacable enemy within the administration, Secretary of the Interior Harold Ickes—who had his own alphabet-soup agency, the Public Works Administration (PWA), contending for the same turf—convinced FDR to kill the program.

But Hopkins didn’t accept defeat easily, and worsening unemployment in the spring of 1935 gave him the leverage he needed to work on Roosevelt.

Besides Ickes, other critics labeled the program(which ultimately spent $11 billion) “make-work.” The record says otherwise, with repair and construction performed on the following structures:

* 125,000 public structures (including—thank God!—1,000 libraries)
* 124,000 bridges
* 650,000 miles of highways
* 800 airfields
* 8,000 parks

FDR also made sure a four (later five)-part arts component (called Federal Project Number One) was included in the package. The aid couldn’t have come at a better time for the nation’s arts scene, because as troubled as it is now, it was in a state near collapse as he took office.

More than two-thirds of Manhattan playhouses, for instance, were shut down in 1931. This meant that, when Hopkins presented his case for support of the arts, he found a receptive ear in Roosevelt, a theater buff.

(Please note that FDR, like fellow Presidential icons Washington and Lincoln, loved the theater. Maybe the next time we elect a President, we should investigate more closely the frequency of his or her playgoing!)

The Federal Theater Project, headed by Hallie Flanagan of Vassar College, gave rise, among other talents, to Orson Welles, whose versions of Dr. Faustus and especially Macbeth caused sensations.

In the form of the Federal Writers’ Project, the WPA made a particularly significant contribution. It produced 1,000 works, 380 of which found commercial publishers. Among the writers who became famous in later years who passed through the program were John Steinbeck, Saul Bellow, John Cheever, Conrad Aiken, Studs Terkel, Nelson Algren, Zora Neale Hurston, Ralph Ellison, and Eudora Welty (who did double duty, since the WPA also used her skills as a photographer).

The Federal Writers’ Project represents, more than 60 years later, a particular goldmine for the study of history. Most famous were the “American Guide” series, books written on each of the (then 48) states and the District of Columbia, replete with all kinds of lore and still much loved by book collectors. Less heralded, but also important, were 2,000 interviews with former slaves who were still alive, 70 years after the destruction of the “peculiar institution.”


The WPA was not a perfect program: in some cases, there was a suspicious rise in its rolls just before elections, giving rise to concerns that its recipients were becoming overly beholden to the federal government. Moreover, controversies flared from time to time: concern popped up, for instance, in the making of the WPA's guide to New Jersey over what to say about the state's union strikes, and Ms. Flanagan was forced to listen to appear before red-baiting Congressman Martin Dies' committee over alleged Communist influence in the theater project.


Nevertheless, when it was over, Americans of all different varieties could look back on works that had enriched their lives and were often of enduring value.