“I
never had a plan. I have the drive, desire and ambition. By design, I try not
to have an end goal because by doing that you restrict your path and your
thinking. For me, that’s a version of death. I like life.”— Beau Willimon,
playwright and House of Cards showrunner,
quoted in Sam Flynn, “Willimon: ‘Great Things Never Come From Being Comfortable’,” The Chautauquan Daily, August 3, 2015
Bill Bradley was supposed to speak this past Saturday at Chautauqua Institution in upstate New York. But this last day of a theme week devoted to art and politics came to resemble more closely the theme of the week immediately following, “Vanishing,” as the former Knick great, Senator from New Jersey and Presidential candidate canceled at some point between his announced appearance in the winter and this weekend.
Fortunately, Chautauqua found an excellent replacement in a worker on his 2000 Presidential race who went on to his own kind of fame: Beau Willimon. In a question-and-answer session with Sherra Babcock, Chautauqua’s Vice President and Emily and Richard Smucker Chair for Education, the creator of the American adaptation of the British TV series House of Cards, about a Washington power couple of untrammeled ambition, described for a packed mid-afternoon audience at the Hall of Philosophy how his own personal drive manifested itself in an unconventional career path. I counted myself lucky to have found a space at all there--and to have heard such amusing and insightful thoughts.
Many
of the college interns he encountered in Washington in a talk just before
coming to Chautauqua, he said, not only had intelligence and ambition but a
specific plan. His own experience was quite different—and, as indicated by the
above quote, it had unique advantages.
The
most direct preparation for his career as a writer for the stage and television
was the Juilliard School’s Lila Acheson Wallace American Playwrights Program.
But the subject matter that has obsessed him in the years since--politics--came about through nothing like
design.
In
1998, while attending Columbia University, Willimon saw in Chuck Schumer’s campaign
for the U.S. Senate as an opportunity to get out of two courses. That race led
to his involvement with other races, including Bradley’s Presidential run, Hillary
Clinton’s 2000 Senatorial election, and Howard Dean’s 2004 campaign for the
Democratic presidential nomination.
After
the most notorious point in that last race (setting up the event that became
the setting for Dean’s “scream”), Willimon poured his frustration and depression
into a drama set in the Presidential primaries. Approximately 40 theater companies
rejected the property before, resubmitting it a few years later, it was finally
accepted and premiered off-Broadway in fall 2008 as Farragut North.
George Clooney purchased the rights to the play and adapted it as the 2011 film, The Ides of March. Later, that background in writing about politics would come in good stead when Willimon teamed with actor Kevin Spacey and director David Fincher (both previously attached to the project) in developing House of Cards for Netflix.
George Clooney purchased the rights to the play and adapted it as the 2011 film, The Ides of March. Later, that background in writing about politics would come in good stead when Willimon teamed with actor Kevin Spacey and director David Fincher (both previously attached to the project) in developing House of Cards for Netflix.
The
character played by Spacey, unscrupulous politician Francis Underwood, uses
unsavory tactics on the path to power. In contrast, Willimon offered to the
Capitol Hill interns—and Chautauquans—far more inspiring traits needed for
success, the “4 C’s”: curiosity, courage, community and commitment.
(I took this photo of Willimon mingling with
audience members after the event was over.)
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