Rhoda
Morgenstern (played
by Valerie Harper): [regarding a
piece of candy] “I don't know why I'm putting this in my mouth. I should
just apply it directly to my hips.”—The
Mary Tyler Moore Show, Season 1, Episode 11, “1040 or Fight,” air date Nov. 28, 1970, teleplay by David Davis and
Lorenzo Music, directed by Jay Sandrich
In my youth in the 1970s, Valerie Harper made America made America laugh uproariously
delivering lines like this as Mary Richards’ tart-tongued but loyal sidekick on
The Mary Tyler Moore Show. For the
last several years, she has made the nation cheer her on in her indomitable
fight against brain cancer. There are few entertainers that I wish more
happiness than to her now, on her 76th birthday.
Most people alive during Ms. Harper’s heyday 40
years ago, I think, have some strong association with her. Mine came
secondhand, through a male relative of mine. As a front-desk assistant at a
college dorm in the Deep South, it was his responsibility to decide what TV
show would air that night. Young people might find this unimaginable, but at
that time people’s TV choices derived overwhelmingly from a single black box
with rabbit-ear antenna, with choices dictated by just three networks.
One of those choices on Monday, Oct. 28, 1974 was
ABC’s Monday Night Football, at close
to the height of its popularity with Howard Cosell, Frank Gifford and Don
Meredith. But the most eagerly awaited show throughout the nation, for the week
leading up to that night, was its CBS rival, the spinoff given Ms. Harper after
four seasons on The Mary Tyler Moore Show,
Rhoda. And this wasn’t just any episode: Rhoda was getting married to the
new man she had met when she returned east from Minnesota, Joe.
Little ol’ Rhoda bumped off big, bad MNF
that night. (When the episode concluded, even Cosell welcomed viewers back to
the game with a joke that he hadn’t received an invitation to the wedding.) That
special hour-long episode was such a ratings bonanza for CBS that it was the
second most-watched television episode of all time, surpassed only by the birth
of Little Ricky on I Love Lucy in
1953.
But in the Southern campus where my relative was,
the outcome was far more uncertain. The good ol’ boys there were whoopin’ and
hollerin’ to see the Atlanta Falcons take on the Pittsburgh Steelers. Why would
anyone want to watch a comedy centered on a New
York woman?
Well, as someone who grew up in the New York area, my relative would. And it hadn’t escaped his notice that the campus coeds felt likewise. As a large group gathered around his desk, he milked the moment of decision for all it was worth. When he made the announcement at last—“And the winner is…RHODA!!!”, a grateful pandemonium broke out among the women.
Any resentment among the small band of good ol’ boys
became increasingly muted as time went on. And that, my relative felt, was a
small price for the many smiling females who passed by his desk the rest of the
year.
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