“His
art is eccentricity, his aim
How not to hit the mark he seems to aim at,
His
passion how to avoid the obvious,
His technique how to vary the avoidance.”—American poet Robert Francis (1901-1987), “The Pitcher,” from The Orb Weaver (1961)
When
I read these lines, the pitcher that came to mind for me was Greg Maddux (pictured),
a remarkably consistent pitcher who thrived despite not throwing a terribly
hard fastball (ranging from the high 80s to low 90s in MPH).
How not to hit the mark he seems to aim at,
His technique how to vary the avoidance.”—American poet Robert Francis (1901-1987), “The Pitcher,” from The Orb Weaver (1961)
As a youngster,
this future Baseball Hall of Famer recalled in a 2007 interview, his coach “worked
with me when I was 15 years old, and he taught me that movement was more
important than velocity. He helped me make the ball move and sink as opposed to
seeing how hard I could throw it.”
His
78-pitch complete game in July 1997 was just one example of how he worked,
using pinpoint control and an ability to outthink batters to hamstring the
Chicago Cubs lineup that day.
His
intelligence particularly impressed his peers on the mound, according to Ed
Graney’s July 2007 article in the Las Vegas Review-Journal: “No one
thought the game better than Maddux. No one understood how to take advantage of
its perplexing components more than he did.”

No comments:
Post a Comment