“A crowd of coach-men and pilgrims was sitting in Uncle Tikhon's tavern. An autumn downpour with raging wet winds that lashed across their faces had driven them to seek refuge there. The tired, drenched travelers sat listening to the wind, dozing on benches by the wall….
“Outside the tavern door splashes of rain flew around
the dim, grimy lantern. The wind howled like a wolf, yelping, as if to tear
itself away from its tether by the door. From the yard came the sound of horses
snorting and hoofs thudding in the mud. It was dank and cold.”—Russian
playwright and short-story writer Anton Chekhov (1860-1904), “In Autumn,” originally
printed in 1883, reprinted in The Undiscovered Chekhov:
Forty-Three New Stories, translated by Peter Constantine (1999)
Well, with this kind of terrible weather—not to
mention life under the Czars (and later, under the Communists, then under
Putin)—you can understand that the tavern patrons are a miserable, even sodden,
bunch.
But one in particular—a man of about 40, wearing “a
wrinkled summer coat covered with mud, calico pants, and rubber galoshes
without shoes”—has his own personal reasons for begging Uncle Tikhon for a
drink.
This was not one of the stories that Chekhov had
collected in his life. But already you can see, from this short description,
how he was learning to write concisely but vividly. A year away from earning
his medical degree, he had also learned to observe the outward signs that
pointed to a human being’s physical and mental condition.
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