A cultural "omniblog" covering matters literary as well as theatrical, musical, historical, cinematic(al), etc.
Tuesday, August 26, 2014
Quote of the Day (Jody Rosen, on “Don’t Stop Believin’” as the Peak of Schlock Rock)
“ ‘Don’t Stop Believin’” hasn’t just stuck around:
It has sunk its teeth into the collective unconscious. Today, the song sounds
irrefutable; its dramatic slow-boiling arrangement — the tolling piano chords,
arcing 16th-note guitar riffing, and mock-operatic vocals — is the essence of
arena-rock grandeur….In short, 33 years after its release, ‘Don’t Stop
Believin’’’ is pop-music Holy Writ. History has certainly been kinder to
Journey than to the reviewers who savaged them....[T]oday Journey’s anthem
haunts our culture like no other song from 1981. ‘Don’t Stop Believin’’ has
become a standard not in spite of the qualities that repelled critics — the
clichés, the pretensions, the overweening emotionalism, Steve Perry’s too-tight
jeans and too-tremulous tenor. It has become a standard because of them. Put
another way, ‘Don’t Stop Believin’’ has endured because it belongs to a
tradition that has given us our most indestructible songs, a tradition as
time-honored, as sturdy, as it is maligned: schlock.”— Jody Rosen, “In Defense of Schlock Music: Why Journey, Abba, and Lionel Richie Are Better Than You Think,” New York Magazine, June 2-8, 2014
I'm a librarian (no, NOT a "cybrarian" or "information scientist" or any of the other trendy terms the profession has come up with), as well as a freelance writer/researcher; my political leanings are contrarian, much to the dismay of friends on the left and right, and so I will give anyone looking for my vote exactly what they deserve -- the back of my hand
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