Monday, July 30, 2012

Quote of the Day (George Bernard Shaw, on Opera Acting)


“Operatic actors, so far from being free from mannerisms, wholly substitute mannerisms of the feeblest sort for acting; and as for variety of resource, there is not a penny to choose between the average prima donna’s treatment of any two of her parts, however dissimilar in conception. Her Lady Henrietta is exactly the same as her Marguerite; her Marguerite is not distinguishable by a deaf man from her Juliet, except by her dress and wig; and her Semiramis is only a swaggering Juliet. Even the few singers, male or female, who are specially celebrated for their acting, would be celebrated for their deficiency if they were placed in an equally prominent position in drama, and judged by the standard set by Ristori and Salvini.”—George Bernard Shaw, How to Become a Musical Critic, edited and with an introduction by Dan H. Laurence (1960)

1 comment:

Ken Houghton said...

If you want to know why the Broadway/West End Musical developed, you need look no further than that quote.