Quote of the Day (Aldous Huxley, on Fascism and Political Faith)

“Most people desire certainties, feel the need of a faith. Modern education makes religious faith difficult, but has done nothing to undermine political faith. Masses of men and women think themselves too intelligent and well-informed to believe in miracles or the divinity of Christ, but find not the smallest difficulty in accepting the infallibility of a Leader. The worship of God is an intellectual impossibility for thousands to whom the worship of a divine being, called the Nation, seems the most natural thing in the world. The old tendencies have not been abolished (they never are); they have merely taken new and, on the whole, less desirable channels. Fascism digs these new channels for worship and provides, in its cult of the divine Nation, a kind of lightning-conductor, upon which thousands of reluctant infidels can discharge the accumulations of their will to believe.”— English novelist/essayist Aldous Huxley (1894-1963), “The Prospects of Fascism in England,” March 3, 1934, in Aldous Huxley, Between the Wars: Essays and Letters, edited by David Bradshaw (1994)

Quote of the Day (Barbara Kingsolver, on Tyrants and the Old Order)

“When men fear the loss of what they know, they will follow any tyrant who promises to restore the old order.” — American novelist, essayist and poet Barbara Kingsolver, Unsheltered (2018)

(This photo of Barbara Kingsolver was taken by Steven L. Hopp.)

Song Lyric of the Day (Bruce Hornsby, on ‘The Way It Is’—and Shouldn’t Be)

“That's just the way it is

Some things will never change

That's just the way it is

But don't you believe them.”—Bruce Hornsby, “The Way It Is,” performed by Bruce Hornsby and the Range from their album, The Way It Is (1986)

Several summers ago, I was lucky enough to attend one of the most deeply satisfying concerts of my life at the Chautauqua Institution, given  by Bruce Hornsby. The singer-songwriter especially delighted by taking unexpected paths into seemingly familiar songs like one he co-wrote with Don Henley, "The End of the Innocence."

Hornsby took an even more unexpected path 30 years ago this week, when “The Way It Is” reached #1 on Billboard’s “Adult Contemporary” and “Hot 100” charts. It wasn’t just his shimmering jazz piano solos that set it aside from the rest of the pop field, but its lyrics, referring to welfare, racial segregation, and the persistence of class and racial divides two decades after the passage of landmark civil rights legislation.

The socially conscious tune was a far cry from what bookended it on those Billboard charts at the end of that year. The titles say it all: "Love Will Conquer All" by Lionel Richie, "The Next Time I Fall" by Peter Cetera and Amy Grant, “"Love Is Forever" by Billy Ocean, and "Walk Like an Egyptian" by The Bangles.

“The Way It Is” was all the more remarkable for appearing amid a decided conservative swing in the electorate, at the exact midpoint of 12-year Republican occupancy of the White House under Ronald Reagan and George H.W. Bush. In contrast, it offered a restrained but pointed rejoinder to defeatism and resignation to “the way it is.” It did not have to be that way, Hornsby argued.

This year, America turned its back on progressive politics, in a manner perhaps even more frightening than the reactionary politics that ensued after the Civil Rights laws mentioned in “The Way It Is” (or, for that matter, the earlier Jim Crow era that represented the twilight of Reconstruction).  The length of this period of retrenchment is unknown. For that reason, Hornsby’s urging toward continuing resolution in the face of quiescence is worth listening to again.