“A time of national crisis is the very time to turn to poetry. A poet writes, not for the common round only, but for the great moments of life. The greatest poets, Shakespeare, Milton, Goethe, Dante, have written not in times of peace but amid war and unsettlement. There is something in such epochs of crisis which quickens the imagination and the mind, and brings the spiritual world of the poet closer to our common life.”—Scottish novelist, memoirist, soldier, and Canadian Governor-General John Buchan (1875-1940), “The Immoral Memory” (address to the London Burns Club, Jan. 25, 1918), The John Buchan Journal, Spring 2004, Issue 30
Tuesday, October 7, 2025
Wednesday, June 18, 2025
Quote of the Day (Edmund Burke, on How One Private Citizen Can Avert a Public Crisis)
“How often has public calamity been arrested on the very brink of ruin by the seasonable energy of a single man! Have we no such man amongst us? I am as sure as I am of my being, that one vigorous mind, without office, without situation, without public functions of any kind (at a time when the want of such a thing is felt, as I am sure it is), I say, one such man, confiding in the aid of God, and full of just reliance in his own fortitude, vigor, enterprise, and perseverance, would first draw to him some few like himself, and then that multitudes, hardly thought to be in existence, would appear and troop about him.”—Anglo-Irish statesman and father of conservatism Edmund Burke (1729-1797), “Letter to William Elliot,” May 28, 1795, in The Works of the Right Honourable Edmund Burke, Vol. V. (of 12) (1887)
The kind
of person envisioned by Burke possesses not just “seasonable energy” but moral
stature to influence followers. In our cynical age, who wields such authority?
If there
is such a person, I hope he or she will step forward quickly.
Friday, November 4, 2022
TV Quote of the Day (‘Yes, Prime Minister,’ As a Financial Crisis Convulses the British Cabinet)
[James Hacker asks Sir Humphrey Appleby about a financial crisis.]
Hacker [played by
Paul Eddington]: “Why the sudden crisis? The Treasury must've seen it
coming.”
Sir Humphrey
[played by Nigel Hawthorne]: “Prime Minister, I'm not the Permanent
Secretary to the Treasury. You must ask Sir Frank.”
Hacker: “What would Sir
Frank say?”
Sir Humphrey:
“It is not for a humble mortal such as I to speculate on the complex and
elevated deliberations of the mighty. But in general, I think Sir Frank
believes that if the Treasury knows something has to be done, the Cabinet
shouldn't have too much time to think about it.”
Hacker: “But that's an
outrageous view!”
Sir Humphrey:
“Yes, indeed. It's known as Treasury policy.”
Hacker: “Suppose the
Cabinet has questions?”
Sir Humphrey:
“Well, I think Sir Frank's view is that on the rare occasions when the Treasury
understands the questions, the Cabinet doesn't understand the answers.”— Yes,
Prime Minister, Season 1, Episode 5, “A Real Partnership,” original
air date Feb 6, 1986, screenplay by Antony Jay and Jonathan Lynn, directed by Sydney
Lotterby
Surely at this point, the above dialogue makes for uncomfortable listening for the Conservative Party grandees in charge—sort of—at Downing Street these last few years—particularly now that the Bank of England, setting its biggest rate hike in 33 years, warns that the UK could experience its longest recession in 100 years.
And we Yanks think we have it bad..
Monday, August 23, 2021
TV Quote of the Day (‘Yes, Prime Minister,’ on the Standard Diplomatic ‘Four-Stage Strategy’ for Crisis Responses)
Bernard Woolley [played by Derek Fowlds]: “What if the Prime Minister insists we help them?”
Sir Humphrey Appleby
[played by Nigel Hawthorne, pictured]: “Then we follow the four-stage
strategy.”
Woolley: “What's that?”
Sir Richard Wharton
[played by Donald Pickering]: “Standard Foreign Office response
in a time of crisis. In stage one, we say nothing is going to happen.”
Sir Humphrey:
“Stage two, we say something may be about to happen, but we should do
nothing about it.”
Sir Richard:
“In stage three, we say that maybe we should do something about it, but
there's nothing we can do.”
Sir Humphrey:
“Stage four, we say maybe there was something we could have done, but
it's too late now.” — Yes, Prime Minister,
Season 1, Episode 6, “A Victory for Democracy,” original air date Feb.
13, 1986, teleplay by Antony Jay and Jonathan Lynn, directed by Sydney Lotterby
Over the past several months, whenever I’ve been able
to do so, I’ve tried to carve out a half hour on Friday nights on a local PBS
station to catch reruns of the 1980s British comedy Yes, Minister and
its sequel, Yes, Prime Minister. Think of it as a transatlantic, male-oriented,
less potty-mouthed predecessor of Veep.
The brilliance of the show, seen in the above lines,
is its sharp, hilarious dissection of bureaucracy. Though some of its
situations are unique to UK politics and government, it’s a delightful surprise
to see how much of it translates stateside.
It can be enjoyed by conservatives or liberals alike,
because though the policies of government officials may change, their behavior—protecting
their turf, covering their rear ends—remains remarkably bipartisan, consistent with how people act in all large organizations.
The show’s co-creator, Antony Jay, described the
inspiration for the series: “What I was told by a senior civil servant was
that, in their heart of hearts, ministers really respect and admire civil
servants and, in their heart of hearts, civil servants really despise
ministers.”
His creative partner, Jonathan Lynn, later crossed the Atlantic to direct another political satire, Eddie Murphy’s underrated The
Distinguished Gentleman, and the considerably more popular The Whole
Nine Yards and My Cousin Vinny.








