Photo of the Day: General Sherman Monument, Central Park, NYC

Several weeks ago, on a bright, mid-spring afternoon, I took this photo of the monument to William Tecumseh Sherman standing at Grand Army Plaza, on the southeast periphery of Central Park. Little did I know that this would probably be one of the last times that I—or, indeed, anyone in the vicinity—would see the 24-ft. high equestrian statue for awhile. According to David Dunlap’s article in The New York Times yesterday, officials of the Central Park Conservancy need to make changes in it very soon because of hairline cracks—less than a year after it had been regilded at a cost of $500,000.

I didn’t notice the so-called “crazing,” or cracking, when I was taking this picture. Mostly, I was just trying to find a good vantage point from which to shoot, since so many people were milling around the statue. Part of the reason why there was such a crowd was because it was such a nice day. But I’m convinced another, equally plausible reason is that sculptor Augustus Saint-Gaudens created a masterpiece.

That latter fact is why the Central Park Conservancy is going to such lengths to preserve the statue—and why, undoubtedly, so many like me will be there when work is done for good on it this time.

Quote of the Day (David Glasgow Farragut, in One of the Navy’s Legendary Moments)

"Damn the torpedoes! Full speed ahead!"—Admiral David Glasgow Farragut (1801-1870), issuing the command to his Union fleet at the Battle of Mobile Bay, August 5, 1864

The “torpedoes” would today be called “tethered mines,” invisible from the surface but still deadly enough to constitute a threat in the 21st century to navies. And the admiral’s son claimed that Farragut’s actual words were “Damn the torpedoes! Four bells! Captain Crayton, go ahead! Joucett, full speed!"

Whatever the case may be, “Old Salamander” became the greatest naval hero of the Civil War with his defiance of the odds in taking the last Confederate stronghold on the Gulf of Mexico.

If you want to understand how and why Farragut earned the gratitude of the North, consider the following:

* A native Southerner who had lived with his wife in Virginia, he pledged his loyalty to the Union at the outbreak of hostilities—unlike Matthew Maury and Franklin Buchanan, who lent their considerable talents to the South.

* Experiencing combat during the War of 1812 (he had only barely reached his teens by the end of that conflict), he endured 45 years of mostly humdrum duty before the Civil War gave him the opportunity to put his skills to work in a crisis.

* His seizure of New Orleans was instrumental in gaining Union control of the Mississippi and cutting the Confederacy in two.

* The highest ranks in the navy—rear admiral, vice admiral, and admiral of the Navy—were all created especially for him.

For a college art humanities class, I had the choice to write about one of several sculptures in the New York area. I picked the one of Farragut captured in the image accompanying this post. You’ll find it at the northern end of Madison Square Park.

Dedicated on Memorial Day 1881, this was the first public commission of Augustus Saint-Gaudens, and you can already sense the artist’s genius.

Notice, for a start, the placement of the statue: facing south, as if to protect the North from the threat to the Union in that direction. But also observe the way the bottom of his coat is curled up, as if blown by the wind.

Finally, there’s the facial expression: granite determination that will not be swayed by fear.