“Letters, in our common understanding, are not meant to be fiction, or jokes, or games, or tricks. They are not meant to compete with storytelling, and if they do, if they are dragooned into real life, they become conflated with conspiracy. Yet without letters, what would become of the crux of so many novels and plays? Of literature itself? Mary Shelley’s Frankenstein sets out with a series of letters; more letters fever it forward. Had Mr. Darcy not hand-delivered his letter to Elizabeth Bennet, she—who could brook neither fools nor snobs—might have lived unwed. If Romeo had read Friar Laurence’s letter, he and Juliet would have averted their misconstrued deaths. Acclaimed eighteenth-century epistolary novels—Pamela, Fanny Hill, Clarissa—could not have come into being, at least not in their chosen form; nor could Goethe’s The Sorrows of Young Werther, or Bellow’s Herzog. If not for a letter to his aunt, Marlow, the protagonist of Conrad’s Heart of Darkness, would have been obliged to discover another contrivance to introduce his journey up the Congo. And what of the mute and final revelation of Melville’s Bartleby: his origin in the Dead Letter Office?”— American short story writer, novelist, and essayist Cynthia Ozick, “Voices from the Dead Letter Office: On the Epistolary Life,” Harper’s Magazine, January 2025
Slate Mini Crossword for Feb. 2, 2025
1 hour ago
No comments:
Post a Comment