Griffin Mill [played by Tim Robbins]: “I was just thinking what an interesting concept it is to eliminate the writer from the artistic process. If we could just get rid of these actors and directors, maybe we've got something here.”—The Player (1992), screenplay by Michael Tolkin, directed by Robert Altman
I won’t engage in any spoilers here, but Griffin Mill
carries his idea on how to “eliminate the writer from the artistic process” quite
far.
I’m not saying that today’s studio executives have the
same solution in mind. But the screenwriters and actors currently on strike
feel like they’re being cut out of the revenue streams that developed during
the pandemic.
With the advent of CGI, pictures often feature actors
(admittedly in truncated roles) who are dead, such as Carrie Fisher as Princess
Leia in Star Wars: The Rise of Skywalker. (See this very interesting Screen
Rant list of other notables—like Laurence Olivier, Marlon Brando and
Christopher Reeve.)
Now, with artificial intelligence, the lowliest of
Hollywood actors—scrambling just to appear as extras—believe that with facial
recognition software, they won’t be compensated even for these fleeting
appearances onscreen.
Why resort to murder when you can terminate difficult
creative partners—not to mention employees insisting on their rights—with the
click of a mouse?
No comments:
Post a Comment