“The birds have started singing in the valley. Their February squawks and naked chirps are fully fledged now, and long lyrics fly in the air. Birdsong catches in the mountains’ rim and pools in the valley; it threads through forests, it slides down creeks. At the house a wonderful thing happens. The mockingbird that nests each year in the front-yard spruce strikes up his chant in high places, and one of those high places is my chimney. When he sings there, the hollow chimney act as a soundbox, like the careful emptiness inside a cello or violin, and the notes of the song gather fullness and reverberate through the house. He sings a phrase and repeats it exactly; then he sings another and repeats that, then another. The mockingbird’s invention is limitless; he strews newness about as casually as a god. He is tireless, too; toward June he will begin his daily marathon at two in the morning and scarcely pause for breath until eleven at night. I don’t know when he sleeps.” —American essayist Annie Dillard, Pilgrim at Tinker Creek (1974)
Tuesday, February 9, 2021
Quote of the Day (Annie Dillard, on the ‘February Squawks’ of Birds in the Valley)
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