“Ooh, Las Vegas, ain't no place for a poor boy like me
Every time I hit your crystal city
You know you're gonna make a wreck out of me.”—“Ooh Las Vegas,” written by Gram Parsons and Ric Grech, performed by Gram Parsons, from the Grievous Angel LP (1974)
Every time I hit your crystal city
You know you're gonna make a wreck out of me.”—“Ooh Las Vegas,” written by Gram Parsons and Ric Grech, performed by Gram Parsons, from the Grievous Angel LP (1974)
Today, I pay tribute to my work colleagues who are now gathered for our company’s annual convention in the “crystal city” described by Gram Parsons (1946-1973).
It’s the better part of valor, I believe, for bloggers not to comment on matters that take place in the organizations that pay their daily wages. But Las Vegas itself—well, that’s another matter.
Offhand, I can think of only four distinctive and beneficial contributions to American culture made by the desert metropolis:
1) The statue of Elvis Presley, with a guitar slung over his shoulder, in the Las Vegas Hilton;
2) The King of Rock ‘n’ Roll’s hit song, “Viva Las Vegas” (and the numbers he shared in the movie of the same name with the young Ann-Margret);
3) Bruce Springsteen’s equally electrifying cover version of said tune; and
4) Andrew Bergman’s underrated but hilarious 1992 film, Honeymoon in Vegas, starring Nicolas Cage, Sarah Jessica Parker, James Caan—and featuring 15 skydiving Elvises in its climax.
(Notice a pattern here, folks?)
Sure, I’m bothered by any city where it takes a taxi to get to Sunday mass because it’s too long and too hot to walk the one-to-two miles from the hotel to church. And I have to admit I blinked when the pastor announced that one of every 10 dollars in the collection plate each week came courtesy of chips that were subsequently cashed in.
But I shouldn’t have been entirely surprised by any of this. After all, I distrust any city where slot machines are in airports, waiting to deprive me of my few and hard-earned dollars—to “make a wreck out of me,” as Parsons sings—even before I get to my hotel room.
2 comments:
5) The Residents The King and Eye has a marvelous cover of "Viva Las Vegas"
6) Stretching definitions, but Warren Zevon's "Porcelain Monkey" ('He traded it in for a night in Las Vegas/And his face on velveteen') counts for something
and, finally, two things that originated in Montreal
7) "O" (Cirque du Soleil's water show) and
8) "Love" (Cirque du Soleil's Beatles show)
The rest of LV only scores well in comparison to Atlantic City.
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