“One afternoon in early June of the preceding summer, Mr. Worth had received a letter on the part of the reigning favourite of the King of Dahomey, directing him to create for her a ball-dress that should annihilate and utterly destroy with jealousy and despair the hearts of her seventy-five rivals; she was young and beautiful; expense was not a consideration. Such were the words of her chamberlain. All that night, the great genius of the nineteenth century tossed wakefully on his bed revolving the problem in his mind. Visions of flesh-coloured tints shot with blood-red perturbed his brain, but he fought against and dismissed them; that combination would be commonplace in Dahomey. When the first rays of sunlight showed him the reflection of his careworn face in the plate-glass mirrored ceiling, he rose and, with an impulse of despair, flung open the casements. There before his blood-shot eyes lay the pure, still, new-born, radiant June morning. With a cry of inspiration the great man leaned out of the casement and rapidly caught the details of his new conception. Before ten o'clock he was again at his bureau in Paris. An imperious order brought to his private room every silk, satin, and gauze within the range of pale pink, pale crocus, pale green, silver and azure. Then came chromatic scales of colour; combinations meant to vulgarise the rainbow; sinfonies and fugues; the twittering of birds and the great peace of dewy nature; maidenhood in her awakening innocence; "The Dawn in June." The Master rested content.” —U.S. historian, novelist, and descendant of Presidents Henry Adams (1838-1918), Democracy: An American Novel (1880)
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