“You have become the king of a domain in which the popular agitators hate each other for racial reasons, while the nobility fight each other for fun, and neither the racial maniac nor the overlord stops to consider the lot of the common soldier, who is the one person that gets hurt.” —English novelist T.H. White (1906-1964), The Once and Future King (1958)
Written like another epic with mythical overtones, The Lord of the Rings, during WWII, The Once and Future King became the basis of the musical Camelot.
The image accompanying this post comes
from the original 1960 Broadway production, with Richard Burton as
reason-guided King Arthur and Roddy McDowall as Mordred, the conniving son who
will become a stand-in for the “popular agitators” who put the realm at risk.
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