“On the whole I think you should write biographies of those you admire and respect, and novels about human beings who you think are sadly mistaken.”—British novelist-biographer Penelope Fitzgerald (1916-2000), in a 1987 letter to her American publisher, Chris Carduff, in So I Have Thought of You: The Letters of Penelope Fitzgerald, edited by Terence Dooley (2008)
In one sense, I agree with Ms. Fitzgerald (who chronicled
the lives of her father and three uncles in The Knox Family): For the
biographer, it may be enormously difficult to spend years researching and
writing about a figure you despise (or come to despise, as Lawrence Thompson
did while producing his three-volume life of Robert Frost).
But in another sense, I must take issue with her. For readers,
learning about a hateful figure—particularly one possessing power—is crucial in
ensuring that the influence of such people is never wielded again.
Even for people in between—more complicated types,
like Ernest Hemingway—putting distasteful details in the full context of their
lives and times can demonstrate why their work matters and endures, despite
their considerable personal failings.
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