“The
painters, even the greatest, don’t show how,
in
the midnight Garden,
or
staggering uphill under the weight of the Cross,
He
went through with even the human longing
to
simply cease, to not be.
Not
torture of body,
not
the hideous betrayals humans commit,
nor
the faithless weakness of friends (not then, in agony’s grip)
was
Incarnation’s heaviest weight,
but
this sickened desire to renege,
to
step back from what He, Who was God,
had
promised Himself, and had entered
time
and flesh to enact.
Sublime
acceptance, to be absolute, had to have welled
up
from those depths where purpose
drifted
for mortal moments.”—British-born American poet and Roman Catholic convert Denise
Levertov (1923–97), “Salvator Mundi: Via Crucis,” from The Collected Poems of Denise Levertov, edited by Paul A. Lacey and Anne Dewey (2013)
The
image accompanying this post is The
Crucifixion with Donors and Saints Peter and Margaret, by Dutch painter
Cornelis Engebrechtsz (ca. 1461–1527). This oil-and-wood painting now hangs in
New York’s Metropolitan Museum of Art.
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