“Heroism, which like the sword is nothing if not
steadfast, is measured in terms of the stress and strain it can endure and the
magnitude and complexity of the obstacles it overcomes. Thus difficulties and
vicissitudes which beset the potential hero on all sides not only threaten his
existence and jeopardize his prospects; they also by bringing out the best in
him, serve his purpose. They make it possible for him to make something of
himself. Such is the nature of every confrontation in the context of heroic
action.” —American literary and jazz critic and novelist Albert Murray
(1916-2013), The Hero and the Blues (1973)
Worldwide these past few weeks—and for the
foreseeable future here in the U.S.—medical personnel have emerged as the
foremost heroes in the battle against the Coronavirus.
A fictional forebear of this brave group was the
title character of Sinclair Lewis’ 1925 novel Arrowsmith, adapted into
a movie six years later starring Ronald Colman (pictured here). The climax of
the novel and film is this young doctor’s battle against the plague on a
fictional Caribbean island.
Lewis’ dogged pursuit of fact—and deeply realistic
depiction of his hero’s life—led to the novelist being rewarded with the
Pulitzer Prize. Someday, when our current crisis is over, perhaps another
author will deliver a similar masterful account of a field that needs
desperately to be better understood.
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