“The trouble with Spit’s spitball was, simply, that
nobody could hit it out of the infield, if they could even follow the erratic
path of that dripping sphere so as to get any wood on it at all. Once it left
Spit’s hand, carrying its cargo of liquid, not even he was sure exactly what
turns and twists it would take before it landed with a wet thud in the
catcher’s glove, or up against his padded body. As opposition mounted to this
spitter that Baal had perfected — it was unnatural, unsanitary, uncouth, it was
ruining the competitive element in the game — he only shrugged and said, ‘How am
I supposed to do, let ’em hit it out themselves?’ On hot afternoons, when his
salivary glands and his strong right arm were really working, Spit used to like
to taunt the opposition a little by motioning for his outfielders to sit back
on their haunches and take a chew, while he struck out — or, as he put it, ‘drownded’
— the other side. Angry batsmen would snarl at the ump, ‘Game called on
accounta rain!’ after the first of Spit’s spitters did a somersault out in
front of the plate and then sort of curled in for a strike at the knees. But
Spit himself would pooh-pooh the whole thing, calling down to them, ‘Come on now,
a little wet ain’t gonna hurt you.’ ‘It ain’t the wet, Baal, it’s the stringy
stuff. It turns a white man’s stomach.’ ‘Ah,
ain’t nothin’ — just got me a little head cold. Get in there now, and if you
cain’t swim, float.’”—Pulitzer Prize-winning American novelist Philip Roth
(1933-2018), The Great American Novel (1973)
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