Monday, October 16, 2017

Video of the Day: George Harrison, ‘Absolutely Sweet Marie,’ From the ‘Bobfest’



At Madison Square Garden 25 years ago today, a galaxy of rock ‘n’ roll, rhythm and blues, country, and folk music stars gathered for what one of them, Neil Young, termed “The Bobfest”—a tribute to Bob Dylan on the 30th anniversary of his recording career.

While the most unusual performers might have been The Clancy Brothers, Tommy Makem, and Robbie O'Connell on  "When the Ship Comes In" (“Hello, you never thought you'd hear Dylan with an Irish accent, did you?” they joked) and the most ferocious one Neil Young on "All Along the Watchtower," my favorite was George Harrison, on “Absolutely Sweet Marie.” 

Sadly, this YouTube clip does not feature Chrissie Hynde’s ecstatic introduction of the “guitar hero” (“Let me give you a little clue: hallelujah, hare Krishna, yeah yeah yeah!”), because that was on his prior song at the show, “If Not for You.”

The ex-Beatle’s aversion to live performing had kept him off the stage for most of the last 18 years, and he had given what turned out to be his last full-length concert in the U.K. the prior spring, so it was natural that, even for a song he had recorded successfully yours ago like “If Not for You,” he might have played a big tentatively.

But “Absolutely Sweet Marie,” one of Dylan’s most humorous songs (“Well, anybody can be just like me, obviously/But then, now again, not too many can be like you, fortunately”), loosened Harrison up considerably, and I can swear he’s having fun with Dylan’s—how shall I say it?—distinctive emphases of words (“all these promises you left for me”). (Harrison, reputedly “the quiet Beatle,” may also have been the one with the slyest sense of humor.)

It’s easy to overlook “Absolutely Sweet Marie” on the teeming double-album Dylan masterpiece Blonde on Blonde, which made all the more welcome Harrison’s spotlight on the tune. It’s impossible not to get caught up in Harrison’s infectious appreciation of the tune. Certainly G.E. Smith, the musical director of the show, did, as he unleashed a fun guitar solo, trading licks with one of the rock ‘n’ roll masters of the instrument.

I’m not sure why Harrison wore this violet jacket during his appearance. If it was meant to attract attention, it was unnecessary. His terrific performance took care of that, with no other visual aids needed.

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